Monday, August 17, 2015

DHRUVA STAMBHA / Vishnu Dhvaja (Qutub Minar)





















THE DHRUVA STAMBHA / Vishnu Dhvaja (Qutub Minar)
विष्णुपदे गिरौ भगवतो विष्नोर्ध्वज: स्थापित:
In 1961, some college students went with me to the Qutb Minar and e...ngaged an official guide, an M.A. in History. Questions and answers between our party and the Sarkari guide are given below in brief :-
Q. What was the purpose of building this ‘MINAR’ ?
A. Victory Tower.
Q. Whose victory over whom ?
A. Md. Ghori’s victory over Rai Pithaura (Prithvi Raj)
Q. Where ?
A. At Tarain near Panipat.
Q. Why is the Victory Tower at Delhi ?
A. Do not know.
One gentleman from the visitors, a Lecturer in History in the University of Delhi, took up the threat and answered:
The Victory Tower was commenced by Ghori because Delhi became his capital.
Q. Objection, Sir! Ghori never had his capital at Delhi. His capital was at Ghazni. What logic is there in building the Victory Tower in Delhi ?
A. Silence.
Q. Even if the Minar was commenced by Ghori, its name ought to have been ‘GHORI MINAR’ and not ‘QUTB MINAR’. Why is it called ‘Qutb Minar’ ?
A. It was probably Qutubuddin Aibak, slave of Ghori, who laid the foundation of the minar for his master.
Q. If this is true, what made him choose Delhi as the site for the Victory Tower?
A. Delhi was the capital of Qutbuddin Aibak.
Q. It is said that the building of the Minar was commenced during the life time of Ghori. When Ghori was alive, the question of his slave’s capital being at Delhi does not arise. After the death of Ghori, Qutbuddin was crowned at Sultan at Lahore. He ruled from Lahore and not Delhi and ultimately died at Lahore. His capital was at Lahore ? Why did he build the Victory Tower at Delhi ?
A. Silence.
Somebody from the audience asserted that the Minar was not a victory tower but a ‘Mazina’ (Muezzin’s Tower in mosque) attached to ‘Quwwat-ul-Islam Mosque’.
Q. The word ‘Quwwat-ul-Islam Mosque’ is unknown to contemporary history of India. This word was coined by Sir Saiyid Ahmad Khan in the first part of the nineteeth century. Do not be surprised to know that the name ‘QUTB MINAR’ too, is not known to Indian History. It is also a recent fabrication. If, for the sake of argument, we take it for granted that the minar is a muezzin’s tower, the mosque assumes primary importance and the tower secondary, but unfortunately the mosque, as you see it, is in complete ruins. How do you account for the mosque of primary importance to be in ruins and the muezzin’s tower, a building of no consequence, to be standing in full majesty ?
A. No Answer.
‘Masjid & Mazina’ with regard to the Qutb Minar is a “COCK & BULL STORY”. The so called Qutb Minar and the ruined Jama Masjid close by cannot be ascribed to the same builder. The Qutb Minar is a much older tower.
Quranic inscriptions on the Minar
The Quranic inscriptions on the Minar are forced and lifeless insertions between forceful and beautiful frieze-bands of the pure HINDU DESIGN. To consider the minar of Moslem origin from the Quranic inscriptions would be labelling a non-Muslim as a Mussalman because circumcision has been forced on him.
THE DHRUVA STAMBHA
विष्णुपदे गिरौ भगवतो विष्नोर्ध्वज: स्थापित:
Viṣṇu-pada-giri- Viṣṇu is one of the three aspects of Brahma indicated by 2nd pāda of Gāyatrī-mantra. We cannot see the original creator, but can know about sun as it is radiating light (Bhargah). As sun, it is holding earth as stated in common mantra of Bhūmi-pūjana-
पृथिवि त्वया धृता लोका देवि त्वं विष्णुना धृता ।
In same way Hercules also is stated that he was holding earth-as depicted on trade-marks of Hercules cycles. Thus, Hercules means sun here. Atlas also is stated that it had lifted earth on its shoulders. Mountains have been called Bhūdhara, as they hold the continental shelf of earth. Thus, mount Atlas is holding earth on its shoulder. In space, 3 steps of Viṣṇu are 3 zones of solar system, starting with sun at center. Zone up to 100 sun-diameters is reason of intense heat (Tapa).
शत योजने ह वा एष (आदित्य) इतस्तपति (कौषीतकि ब्राह्मण उपनिषद् ८/३) स एष (आदित्यः) एक शतविधस्तस्य रश्मयः । शतविधा एष एवैक शततमो य एष तपति (शतपथ ब्राह्मण १०/२/४/३)
Then, up to 1000 diameters (sphere enclosing Saturn orbit) is zone of brightness (Sahasrāmśu, sahasrākśa etc).
युक्ता ह्यस्य (इन्द्रस्य) हरयः शतादशेति । सहस्रं हैत आदित्यस्य रश्मयः
(इन्द्रः=आदित्यः) जैमिनीय उपनिषद् ब्राह्मण १/४४/५) असौ यस्ताम्रो अरुण उत बभ्रुः सुमङ्गलः । ये चैनं रुद्रा अभितो दिक्षु श्रिताः सहस्रोऽवैषां हेड ईमहे ॥
(वा.यजु.१६/६)
Then, light (normal) zone is up to 100,000 diameters (Maitreya Maṇḍala).-Vişņu purāņa (2/8) On earth, motion of sun is from Karka- rekhā (240 north) to Makara- rekhā (240 south). For north hemisphere, equator till 240 north is step 1. 3 steps will reach 720, but before that Arctic circle starts at 660. Thus, the third step is on head of earth, i.e. on head of its owner king Bali. Viṣṇu was the proper name of Vāmana as stated at several places in Śatapatha Brāhmaṇa etc. He was not a dwarf man, but small compared to steps of sun which he meant. Body of sun is in solar system, sphere of solid planets is Dadhi- Vāmana (size of Dadhi Samudra in Bhāgavata purāṇa, skandha 5). Within human body, soul (size of atom-10000 parts of hair end in Śvetāśvatara upaniṣad (5/9)-
वालाग्र शत भागस्य शतधा कल्पितस्य च ॥ भागो जीवः स विज्ञेयः स चानन्त्याय कल्पते ॥ (श्वेताश्वतर उपनिषद्, ५/९)
Thus, Viṣṇu-pada on earth is a place at Karka-rekhā. Now, it is at 23.50 north, in past it was up to about 260 north. Thus, it was touching Mithilā in time of king Nimi (son of Ikśvāku) and once Naimiśāraṇya, near Lucknow. Motion of sun on earth ends at its Nemi, south end is Ariṣṭa-nemi as it is coldest time in north hemisphere. Sun is eye, and its ends on earth are its eyebrows (Place of King Nimi). In Mahābhārata period, Karka-rekhā was at Gayā, so it was called Viṣṇu-pada-Tīrtha and still called, though it is now north of it. Gayā or any mountain on Karka-rekhāi is Viṣṇu-pada-Giri.
In Sūrya-siddhānta an all texts of astronomy, a Śanku (cone) of 12 angulas is used for measuring its shadow. Whatever may be height of Śanku, its 12 part is called 1 angula. That is used for finding north south direction, latitude, local time, or declination of sun. Since sun is Viṣṇu, it is Viṣṇu-dhvaja. In same sense, it is pillar of Hercules. In Śiva purāṇa, his linga also is stated to be of 12 angula- in that context it may mean the same. Measurement of north-south direction is by shadow end of pole at equal intervals of local true noon, say at 11 AM and at 1 PM. The path of shadow is in shape of Thistle-kip called Kutupa (Kuppi in Hindi). That time also is called Kutupa-muhūrtta (1136 to 1224 hrs) which is considered in Śrāddha. That, shadow is bisected by 2 arcs whose common point is in shape of Mīna (fish) to find north-south direction. So, any device to find north direction is called Kutub-minar. Magnetic compass was called Kutub-numa in Arabic. Technically, Delhi cannot be called Viṣṇu-pada-Giri as it is about 50 north of old position of Karka-rekhā. So, it is assumed that Iron pillar was originally built at a hill near Ujjain or Gaya and shifted there. But it will be far easier to construct it at Delhi itself rather than transporting to such distance. Actually, Kutub-minar is inclined 50 south and is thus perpendicular on Karka-rekhā. Thus, the place can be called Viṣṇu-pada-Giri as artificial construction. It is northernmost position of moon in pre-Mahabharata era. Megasthenese has stated that Hercules had constructed Palibothri town or a pillar there. That pillar of Hercules can mean Kutub-Minar.Palibothri was on banks of Yamunā, but without any basis it has been equated with Pataliputra (Patna in Bihar). Actually, it was Paribhadra which means same as Dehali in sanskrit-boundary wall of a house. It was place of army of Kuru kings based at Hastināpuara on banks of Ganga. The army itself has been called Prabhadraka-gaṇa under command of Dhṛṣṭa-dyumna. Elephant army was at Gajāhvaya (Gaziabad). Persons in that army have title of Gajabhiye in Maharashtra. Mahārathis were based at Meratha (written as Meerut). Al-biruni has stated Sri Harsha Shaka from 456 BC-that might be date of this pillar. Rājatarangiṇī also give same time of that king who had installed Mātṛgupta as king of Kashmir. Ibn-Batuta has written that Kutub-minar was built 1500 years before Kutub-ud-Din Aibak (1206-1210). Sir Saiyad Ahmed had protested calling Kutub-minar an Islamic structure as it was full of Hindu marks. He wrote a 300 page book in 1911 to prove his point.
It is not a question of Hindu or Islamic marks. 2 aspects of technology were impossible in 13th century-(1) Even now it is very difficult to build an accurate cone whose axis is inclined 50 south.
(2) From Mahabharata till 1850, earth had been assumed spherical in all calculations. Semi-vertical angle of Kutub minar is equal to difference between true and mean latitude of Delhi.
The description on engraved verse must be of period of Prithviraj Chauhan or earlier-it means that similar script for sanskrit was in use at that time.
1. Was this Qutub Minar once called Vishnu Dhvaja?
I remember to have read that it was called Vishnu Dhvaja.
Perhaps in oen of the posts/mails by Sri Arun Kumar Upadhyay, IPS.
But that file is not easily located in my collections. However, something related is found.
The following excerpts are from a mail sent by Sri Arun Kumar Upadhyay, IPS to me and others
on Mon, Aug 2, 2010 at 7:37 PM
Thanks to Sri ArunKumar Upadyay Ji.
Relevant points are highlighted by me.
"Vishnu purana 2/8 tells about Shishumara-chakra which is perpendicular to ecliptic plane around which earth’s axis rotates in 26000 years, called precession of equinoxes (also explained by Al-Biruni). This has been called Naka-svarga in Vedas (Madhusudan Ojha-Brahma-siddhanta etc.). Axis of solar system and galaxy (Parameshthi mandala) have been called Lingas in space in Shivapurana.
Kutub-minar is model of Sumeru of earth in space. At Delhi, its semi-vertical angle is equal to difference between true and mean latitude there. That was not known after Mahabharata till 1850 AD. In 456 BC at start of Sri-Harsha shaka (Al-Biruni, Abul Fazal), it was place of northern most position of moon on earth surface (inclination of earth’s axis 23.90 + inclination of moon’s orbit with ecliptic 5.020)-Refer my commentary on Siddhanta-Darpana, chapter 16. So, ‘Chandra’ has been written on iron pillar there. A pillar of 12 units (called Shiva-linga of 12 angula in Shiva purana) was used to measure time and latitude of a place. It is called Shanku in surya-siddhanta etc. Smallest shadow is at noon time and locus of shadow end around that time is in shape of a ‘Kutup’ called kuppi (funnel, thistle-kip) in Hindi. So, the muhurtta at noon time is called Kutupa-muhurtta. By bisecting the shadow line equi-spaced from noon, say at 11 and 13 hrs-we get north–south direction. This is explained as traversing in books of astronomical survey for M.Tech (civil). The bisection is by common part of two circles in shape of a ’Mina’ (fish), so the pillar is called Kutup-Mina or Kutub-minar.
Magnetic compass does almost same work, so it is called Kutub-numa. In that also, needle floating on mercury is called ‘Mina’. Local references of latitude also have been given name of fish like Rohataka ( almost at longitude of Ujjain) and Hilsa near Patna (100 east of Ujjain).
Mapping of earth surface of north (and south) hemisphere was in 4 sheets of 900 longitude width. It was centered round north pole called Meru or Sumeru. Bharata-varsha (India) has been called one of the 4 petals of that lotus (earth surface) as it roughly extends 450 west and 450 east of Ujjain. Thus, Meru has 4 faces and its linga (symbol) has square base-called Svayambhu linga as in Kaaba of Arab at west end of Bharata. Pyramids were constructed 450 and 1800 west of Ujjain in Ezypt and at Mexico (called Siddhapura in Surya siddhanta)-Valmiki Ramayana, Kishkindha kanda (40/54, 64).
South pole was called Kumeru (opposite to Sumeru in north). Aryabhata (Kali 360 = 2742 BC)
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Kutub Minar: Its Origins
P.N.Oak
About the Kutub Minar itself there is overwhelming proof that it was a Hindu tower existing hundreds of years before Kutubuddin and therefore it is wrong to ascribe the tower to Kutubuddin.
The township adjoining the Kutub Minar is known as Mehrauli. That is a Sanskrit word Mihira-awali. It signifies the town- ship where the well known astronomer Mihira of Vikramaditya's court lived along with his helpers, mathemati- cians and technicians. They used the so-called Kutub tower as an observation post for astronomical study. Around the tower were pavilions dedicated to the 27 constel- lations of the Hindu Zodiac.
Kutubuddin has left us an inscription that he destroyed these pavilions. But he has not said that he raised any tower. The ravaged temple was renamed as Kuwat-ul-Islam mosque.
Stones dislodged from the so-called Kutub Minar have Hindu images on one side with Arabic lettering on the other. Those stones have now been removed to the Museum. They clearly show that Muslim invaders used to remove the stone- dressing of Hindu buildings, turn the stones inside out to hide the image facial and inscribe Arabic lettering on the new frontage.
Bits of Sanskrit inscriptions can still be deciphered in the premises on numerous pillars and walls. Numerous images still adorn the cornices though disfigured.
The tower is but a part of the surrounding structures. It is not that while the temples around are earlier Hindu build- ings there was sufficient space left in between for Kutubud- din to come and build a tower. Its very ornate style proves that it is a Hindu tower. Mosque minarets have plane sur- faces. Those who contend that the tower was meant to call the Muslim residents to prayer have perhaps never tried to go to the top and try to shout to the people below. Had they done so they would have found out for themselves that no one on the ground can hear them from that height. Such absurd claims have been made to justfy Muslim authorship of earlier Hindu buildings.
Another important consideration is that the entrance to the tower faces north and not the west as is enjoined by Islamic theology and practice.
At either side of the entrance is the stone lotus flower emblem which also proves that it was a Hindu building. The stone flowers are a very important sign of the Hindu author- ship of mediaeval buildings. Muslims never use such flowers on the buildings they construct.
The frieze Patterns on the tower show signs of tampering, ending abruptly or in a medley of incongruent lines. The Arabic lettering is interspersed with Hindu motifs like lotus buds hanging limp. Sir Sayyad Ahmad Khan, a staunch Muslim and a scholar, has admitted that the tower is a Hindu building.
If one were to hoover in an aeroplane over the top of the tower the various galleries sliding into each other from top to bottom appear like a 24-petal lotus in full bloom. The figure 24 being a multiple of 8 is sacred in Vedic tradi- tion. Even the brick red colour of the tower is sacred to the Hindus.
The Hindu title of the tower was Vishnu Dhwaj (i.e. Vishnu's standard) alias Vishnu Stambh alias Dhruv Stambh (i.e., a polar pillar) obviously connoting an astronomical observa- tion tower. The Sanskrit inscription in Brahmi script on the non-rusting iron pillar close by proclaims that the lofty standard of Vishnu was raised on the hillock named Vishnupad Giri. That description indicates that a statue of the rec- lining Vishnu initiating the creation was consecrated in the central shrine there which was ravaged by Mohammad Ghori and his henchman Kutubuddin. The pillar was raised at the com- mand is an ancient Hindu king who had made great conquests in the East and the West.
The tower had seven storeys representing the week of those only five exist now. The sixth was dismantled, hauled down and re-erected on the lawns closeby.
The seventh storey had actually a statue of the four-faced Brahma holding the Vedas at the beginning of creation. Above Brahma was a white marble canopy with gold bell patterns laid in it. The t top three stories were in mle. They were ravaged by iconoclastic muslims who detested the Brahma sta- tue. The Muslim raiders also destroyed the reclining Vishnu image at the bottom.
The iron pillar was the Garud Dhwaj alias Garud Stambh, i.e, the sentinel post of the Vishnu temple.
On one side was an elliptical enclave formed by 27 Nakshatra (constellation) temples. A gigantic red-stone, ornate gate- way led to the sacred enclave known as Nakshatralaya. There- fore gateway is traditionally known as Alaya-Dwar.
Cunningham twists the traditional Hindu name to fraudulently ascribe the great doorway to Sultan Allauddin though Allaud- din himself makes no such claim.
By Allauddin's time the surroundings were totally crumbling ruins. Why would Allauddin want to raise an ornate gigantic gatewwa(of the Hindu orange colour) leading from nowhere to nowhere ?
The theory propounded by interested Muslims that it is a muazzin's tower is a motivated lie. No muazzin would even for a day adept a job where he has to climb and unclimb five times a day a flight of 365 narrowing, curving steps in the dark confines of the tower. He is bound to fall and die through sheer exhaustion.
The arched gateway of the adjoining so-called Kuwat-ul-Islam mosque is in no way different from the ornate archways of temples in Gujarat. The frieze patterns on this building too. The frieze patterns on this building too show signs of tampering proving that Muslim conquerors transposed stones at random to ease their conscience in readying earlier tem- ples for use as mosques.
The tower girth is made up of exactly 24 folds, arcs and triangles alternating. This shows that the figure 24 had social prominence and significance in the premises. The apertures for letting in light are 27. Considered along with the 27 constellation pavilions mentioned earlier it leaves no doubt that the tower too was an astronomical observation pole.
In Arabic the term 'Kutub Minar' signifies an astronomical Tower. That was how it was described to Sultan and later referred to in court correspondence. In course of time the name of Sultan Kutubuddin came to be un- wittingly associ- ated with the Kutub Tower leading to the misleading asser- tion that Kutubuddin built the Kutub Minar.
Iron strips have been used to keep the huge boulders fastened together in the construction of the tower. Similar strips have been used in the stone walls of Agra Fort. In my book Tajmahal was a Rajput Palace I have already dealt at some length on the origin of the fort and proved that it existed during pre-muslim times. Therefore it is apparent that the use of iron strips to keep together stones in huge buildings was a Hindu device. That device used in the so- called Kutub Minar in Delhi another proof of its having been a pre-Muslim Hindu tower. If a 24-petal lotus is pulled up from its centre it will form a tower of that pattern. Lotus pattern is never Muslim.
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Humble Pranams to all the Members of BVP.
My sincere thanks to all the scholars who have given a wonderful information about Vishnu Dhvaja (Qutub Minar). The information extended by Sri Tirumala Kulakarni ji, Sri Kalyan Ram Ji, Sri SP Narang ji, Sri Arun Ji and Sri Iyengar ji and others is really of a great value.
Particularly the effots of Sri Arun ji are praise worthy. Similarly the descriptive account given by Sri Tirumala Kulakarni ji also is highly informative.
Ofcourse I could not open some of the internet sources suggested by them. Once again thanks to all for their kind participation in guiding well.
With Warm Regards,
Dr. Rani Sadasiva Murty
Source :
https://groups.google.com/forum/…
http://pixels-memories.blogspot.in/…/iron-pillar-new-delhi.…
http://www.samvaadbhartipost.com/article.php…

Sunday, August 16, 2015

VEDIC AND EGYPTIAN DEITIES

VEDIC AND EGYPTIAN DEITIES

Hemhem Crowns
VEDIC AND EGYPTIAN DEITIES
 
 
Amun-Ra was the Egyptian Sun-God. His name appears strikingly like the ancient Vedic Term for Indra, as 'Idamdra', from which Indra is said to have been derived, so the Upanishads state. Indra is also a form of the Sun-God, and has Shyena (falcon) forms, like Horus.
 
Indra like Ra, also had the characteristic of being likened to a King or Ruler, and most of all, Indra is the serpent-slayer, just as Amun Ra, was said to 'daily kill the serpent'.
 
Indra is also associated with the God-King Ram of ancient India in of Rig Veda (X.86), from which Amun-Ra may have also come as Aum-Ram. Yet, as Idam-dra, it could also relate to Aton or Aten-Ra, which may also be related to Adi-tya (Primal Being), a common name for the Sun-God in Rig Vedic India.
 
The Eye of Ra, is also closely related as the Sun in the Rig Veda as the Divine Eye of the Gods:-

 
"Known to all mortals, the beneficient Sun, who is universal-eyed, ascends upwards - the deity who is the Eye of Mitra and Varuna, who rolled up the darkness like a bit of leather."  - Rig Veda. VII.63.1

 
"The Creative Sun, the God, has sent his immortal light upwards, for all mortals. Through the intellectual power of the Gods, that Eye was first created. The Dawn-Goddess has revealed the Universe." - Rig Veda.VII.76.1

 
It is also interesting, that the same symbolism we see in the Egyptian reliefs, strongly resembles the hymns to the Sun-God of the Rig Veda, with his golden limbs etc:-
 
 
"The eight points of the Earth, has his effulgence illuminated - the three measures of the deserts and the Seven Seas. The Shining Savitar with Golden-eyes, has come here, giving gems to his worshippers." - Rig Veda.I.35.8
 
"The Golden-handed creative Sun, far-sighted, goes on his way, through the regions of Heaven and Earth, driving away sickness, may the Sun approach us, and spread brightness through the region of darkness. May he, the Golden-handed Asura, the gentle leader, come to us with his help and favor.  Driving off the demons and the sorcerers, the Shining One is present, reverenced in hymns at the evening." - Rig Veda.I.35.9-10
 
 
Osiris as Son of Ra, was also Yama the Son of the Sun or the Sun-God Surya or Savitar, etc. in India. Both are also lauded in the Rig Veda, as being lauded as Lords of the Two Regions of Heaven and Hell:-

 
"Within the abode of Savitar, the celestial, all men and all beings have their place, forever.
There are Three regions of Light, two adjacent belong to the Creative Sun: in Yama's (Osiris) world is One only - the region of Heros. As on a firm chariot-hub, all things immortal rest - he who knows it, let him declare it." 
- Rig Veda.I.35.5-6

 
The Egyptian deity Osiris in India was called Yama (Control), since he was the controller of death by being the controller of the breath of life (prana-yama). This also relates Yama to Asar, since as Asura, he would hence be the 'Asu-ra' (Ruling-breath), the Ruler of Breath or Life and Death as Pranayama etc., relating to the same.
 
Osiris was called as Asar in Egypt, which meant Throne or Royal-Seat. This appears related to Vedic 'Asur', which is a common term for Vedic Gods, meaning Mighty and Ruling breath.
 
Yet, on another note, Asura comes from 'as' (sit), and hence Asu-ra would also mean something like 'Ruling-Seat' in Sanskrit, becoming cognate to Asar of the Egyptians as Throne!
 
Isis and Osiris as Sister and Brother, is also cognate to Yami and Yama of the Vedas, who are likewise. Yama also is Green and golds a Staff or Danda, like Osiris.
 
Yama's worship in India is wide-spread, but appears more likened to the S.Indian peoples, especially Brighus (as seen in Brahmanas), and the festivals and worship of Yama in S.India, and their shamanistic customs also resemble the Egyptian, with their masks etc. - especially those in more tribal regions and in Lanka, SE Asia etc.
 
Osiris's body being scattered by Seth, also resembles the sacrificial-nature of Vritra as described in Yajurveda, or the Purushmedha or Cosmic-Man Sacrifice of the Rig Veda, or the later ones of Prajapati etc. It also appears to represent the same in Egypt.
 
Rudra in the Vedas or the dark side of Indra, where they are Brahmin-slayers, are also much like Seth. Rudra is tamas (darkness), and is often seen as ruler of ganas or bhutas (ghouls or hosts) in the Rig Veda, who are also ugra (terrible), and harness magical powers of illusion (maya), like Seth and his followers.
 
Like Seth, Rudra is also the Chief Sacrificer of Prajapati, and likewise in later myths, also kills Yama (Osiris) as well. He is lauded in Rig Veda as releasing us from Mrityu or death (VII.72.12), on this relation, later worshipped as Mahamrityunjaya, 'Greatly victorious over death (Osiris)'.
 
The Animal-headed deities of Egypt, also resemble the Puranic descriptions of the Ganas or Hosts that dwell in the realm of Yama, the God of Dead.
 
The Egyptian book of the Dead (c.1500BC), is also like the mystical Brahmanas, Yajurveda etc. of the Vedas. It's hymns resemble Rig Vedic hymns to the Vishvdevas, 'Universal Deities'.
The Jaiminiya Brahmana, deals with a section of Brighu Rishi's travel to Yama's realm, which is much like the Egyptian ideas of hell and afterlife of Osiris etc.
 
Indian deities, as noted, are also Animalistic:- Indra had Shyena (falcon) forms, as well as worshipped as Vrisha (bull). The Cow was another common symbol for the Goddess, as was the Solar-disk or Eye, the Bitch-Goddess, Sarama etc.
 
Moreover, we note the Horses-headed Hayagriva of the Hinduism, who appears as Vedic Dadhyak Rishi, who wears a Horses head. The Egyptian deities appear much like this, with their own cultural or national symbols likewise.
 
The Sphinx is also much like Narasimha (Man-Lion) Incarnation of Vishnu in ancient India, who killed the father and family of the Rishi Prahlada, who appears to have been Indra.
 
In this connection, Indra worshipped as the Lion (Simha) in the Rig Veda. (V.83.3, IV.16.14), and also as the slayer of Prahlada's people in the Kaushitaki Upanishad (III.1), connecting Indra to the  Narasimha-avatar - all this shows that Narasimha was originally the Lion-form of Indra, like the Sphinx.
 
Indra as the Lion, Falcon and Bull is seen in the deities in Egypt, as Goddess Sekhmet, Horus and Ptah, which again seems to connect both cultures.
 
The Goddess Narasimhi or Simhi in India, would hence have been a form of Indrani originally, who was called Shachi, or Shakti:- very similar to Sekhmet, the name of the Lioness Goddess of Egypt, who's name also means power.
 
Clearly, the Pyramids were built in a shape, just as Hindu temples are, to resemble Mt. Meru in the Himalayas -  the Cosmic Mountain, and sacred Heaven of Indra or Shiva to Hindus. Hindus and Egyptians both seem to build in this style.
 
Moreover, it also reflects the shape of the Vedi or Fire-Altar in ancient India, of which was also shaped likewise. Perhaps, as the Egyptians did not cremate their deceased, they built these large 'Fire-Altar' structures, that metaphorically or symbolically resembled the body being placed on a Fire Altar and sent to Heaven that way*.
 
Interesting, the Sphinx and the Pyramids are the great structures of Egypt. We note how the Goddess Simhi, or Lioness of the Vedic people, is the form of the Fire-Altar in the Vedic Sacrifice (Yajurveda, Taittiriya Samhita - VI.2.7-8).
 
Thus, if the Pyramids were built to resemble large Fire-Altars as to not cremate the deceased, but represent the accession to Heaven through the Fire Altar, it would also explain why the Sphinx was also built, and seen likewise as Large and sacred, in relation to this Altar*.
 
Either way, it shows that the Sphinx, and relation to Sekhmet or Narasimha in both cultures, held an important place. Thus, perhaps the Vedas of India, can tell us a little more about the secrets or mysteries of the Pyramids etc.*
 
It is also interesting how Indus or Vedic releifs and imageries of the Sun-God later became Vaishnavism (worship of Vishnu) in India, and under the Ramanuja sect, used the Chakra or Solar-discus, symbol of Hanuman the monkey-god, Conch-shell and Garuda, just as we see in Egypt.
 
Ramanuja traced his lineage back to Brighu Seers of Vishnu in India, who were perhaps also whom Imenhotep (or Imhotep), the Priest-Architect to the first Kings in Egypt descended from*.
 
Imhotep appears to have been revered by the Egyptians like Asuramaya of the Brighus is, as founder of Astrology, Architecture, the adviser to the S.Indian people (Asuras), and also is well-known for his unique 'Vimana' or 'Meru' (Pyramidal) design of Temples, like those in SE Asia and S.India, like Imhotep and the Pyramids.
 
We should also note, the Egyptian Priests are depicted wearing simply Lion-Cloths and Shaven-headed, just like the Brahmins of India - especially the Brighu recessions, who shaved their heads*. It shows the two cultures are even stronger related.
 
Later texts also state of Asuramaya in a Western Land called Romakapura, which is perhaps Egypt and their Imhotep, the 'Western Asuramaya', derived from the Indian Brighu, Asuramaya or Maya Danava - Ushana.
 
Like Imhotep, Maya Danava or Asuramaya, was also responsible for the Construction of the Greatest Abodes in India. In Mahabharata, he constructs the wondrous palace for the Pandavas (at Indraprastha), and also Krishna's Chariot or Ratha, which he adorned with gemstones.
 
He also is Patron of S.Indian or Asura Architecture. He is said to have constructed the Tripura or Three Cities, of the Demons of Gold, Silver and Bronze, and also the Chariot for the
demonic Salva, who fought Krishna.
 
Yet, like Imhotep, he also composed Manava Shilpa Shashtras, the forerunner of Stapathya Veda and Shilpa Shastras, on Indian Architecture which Indus cities also used. He also composed Surya Siddhanta, the Astrological text which he received from the Sun-God, and is lauded as actual founder of the Science!
 
It hence appears Imhotep is another version of Asuramaya-worship, under Brighu priests. Perhaps Imhotep, is derived from Vedic 'Purohit' (percepter).
 
The Egyptians also called Punt, a 'land of the gods', to the East, also the region of their god Ra (not only as rising Sun, but historically), which appears as India. Especially as Lothal, Dholavira and Dvaraka in E.India are well-known to have traded with Egypt and the Middle-East, makes this more plausible than Somalia or Ethiopia (which lie to the South) - also since the Egyptians have close ties with the Brighu peoples around these regions, as also Kerela and S.India.
 
Punt maybe related to Pani, the Vedic term meaning trader or merchant, and referring to the ancient materialistic peoples of Kerela, Lothal and Dholavira. Punt is hence 'land of the Pani', their ancestors. It may also be a mispronunciation of Bharat (India).
 
Kerela was actually said to have been formed from Parashurama of the Brighu's axe, which fell into the Sea and created Kerela. It was also the ancient capital of the Danava King Bali, a great devotee of the god Vishnu, who's adviser was also Asuramaya. He also conducted a Horse-sacrifice in Brighukacha, showing the relation of this area. Kerela was also from where Adi Shankaracharya, the great Monist of India, was born.
 
We should note, Kerela also not only has the Asuric-Brighu culture we see in Egypt, but it's architectural styles, are perhaps even more Pyramidal evidential than others in India - they have an extremely unique architectural style that so-much resembles the Egyptian Pyramids.
 
We also note in Tamil Nadu, the 'Great City of Bali' (Mahabalipuram), in which the Shore Temples there are also built in a Pyramidal styles, as also the Five Rathas, have long been considered the 'work of Egyptian craftsmen', also showing the Egyptian origin in S.India.
 
Also, the grand 81-Tonne Boulder-Dome atop the 65-metre high Brihadeshwar Temple in Tanjore, shows a similar method employed by Egyptian Pyramid-builders was used, also showing an ancient unsung culture of S.India.
 
The idea of the Egyptian rejection of cremation may also be likened to these peoples.
 
Many are aquainted with the story of King Nemi of ancient India, who was embalmed. It is also interesting that the first King in the Egyptian Dynasty, appears as King Narmer, who may be mythologically, King Nemi of India, their ancestor, who was emblamed, or Narmer named after him, as the first Egyptian King*, 'in decent of Nemi'. There is also a demonic Raja Narmara who hoarded wealth in Rig Veda (II.13.8), who may be Narmer of Egypt - vanquished by Indra
 
Bali, King of Kerela's son was Virochana, himself of whom is said to have rejected the idea of the Self, and revered the body as the soul, and hence created practices to preserve the body (described in Chandogya Upanishad).
 
Virochana is himself often identified with Asuramaya. We should also note that Asuramaya of the Asuras also knew the secret of reviving the dead Danavas through the Mamatrityunjaya-mantra, similar again to Egyptians, who possibly came from this culture and also attempted it.
 
The Brighus were also foremost of Indian Rishis that had knowledge of Soma preparations, drinks for Immortal life, which were created through mystic chants, and perhaps related to Mahamarityunjaya etc. chanted over these creations. Again - perhaps the Egyptians lost this knowledge and Bhargava and Soma priests of India who did likewise.
 
There are also ancient Rock-cut tombs of Kerela, and an ancient culture of S.India that is the Danava-form of Vedicism, which is in some ways preserved today, which resembles the Egyptian, which we should note also, as also the system of Stupas in India which are like the Pyramids, and appear to be related to older demonic Indian Kings like Shambara, who buried their deceased's ashes or body, along with riches, chariots etc. in Mountains*.
 
Such ancient practices of the Vedic Danava people, are reflected in the Kathakalki dances of Kerela, the Stapathis (architects preserving the Vedic Stapathya science), the Ayurvedics, and moreover, the serpent-worship and Dhanurveda (martial arts) traditions in Kerela, which have survived from older forms of Vedicism. Hence, instead of Dravidians looking for their origin in Egypt - as many have done - they should look for the Egyptian origin in their own backyards!
 
For example, the Tamil Epic Silappadikaram, which resembles the story of Osiris. Moreover, S.India's Agama and traditions, versions of Vedic mythologies from their own Kings and renderings, hence appear to be the origin of Egyptian also.
 
For example, the Jains and Buddhist peoples in India have their own form of Sanskrit (Pali), and also their own Myths of the Vedic Mahabharata and Ramayana and Puranic stories, as well as their own practices and Deities.
 
Thus, the Egyptians in a foreign land could be just as likewise, having even more removed forms and practices from the Vedic, just as Jainas and Budhdists have their own forms - or even the different forms of Hinduism we see from Bali to Karnataka to the Himalayas!

The Sphinx is also related to these regions through the Narasimha-avatar, since Prahlada who worshipped Narasimha, himself was the Father of Bali! This all relates the Egyptians to a lower-Sindhi or Kerelan Brighu people, or a blend of both. Narasimha as the Sphinx, is hence an ancient Asuric-Brighu symbol, of their Danava heritage from India.
 
Moreover, Kerela has been an ancient trading-port, known since the time of the Phoenicians, and possibly much earlier. Thus, when Queen Hatshetsup around 1500BCE sent a ship to Punt, it could have been any of the 'Pani' port-cities, from Gujerat to Kerela.
 
The name that the Egyptians gave to the King of Punt, is also close to Indian Puru, the name of the descendants of Pururavas, and related to Yadavas of Western India. It may also be Pani*.
 
We should also find this as no surprise that Vedic peoples and influenced were wide-spread. Later Buddhist Kingdoms under the Mauryas, Guptas and Lalitaditya, extended their reign and influences and missionaries, as far as SE Asia, Japan, China, Central-Asia and West into Greece, Egypt, Turkey and Iran, as well as Rome.
 
Remnants of a pre-Polynesian Sanskritic culture is also evidenced in the mythologies, genetic makeup, linguistics and culture of the peoples of New Zealand, of which a Tamil Ship bell with inscriptions dating back to 1000AD and showing the ship came from Tanjore in S.India, also shows such ancient Sea-faring travels of the Indians, some 700 years before the Europeans! Their formless pervading-deity, 'Io' is cognate to Aum of Hindus as a name for Brahman, as their Sun is Ra, cognate to Ram (they drop the 'm' on all accounts).
 
Moreover, considering the S.Indian influences in Indonesia, Thailand, Cambodia etc., for which their own replicas of S.Indian Wonders (i.e.. Angkor Vat, Borobudur Stupa), which resemble the Egyptian show that such influences could have (a) spread west and (b) occurred at an earlier time in History.
 
Kerala, Sri Lanka and the Maldives all traded with Indus peoples, and it was known the Asura-peoples were there - and also in latter times is attested to by their Magnificent Cities and Palaces and Temples. Ravana and Vijaya both took control of Lanka from Gujerat at various times, and were related to the Bali-peoples of Kerala, which also shows they possibly also went to Egypt also.

 http://satyavidya.com/egypt.htm
http://grahamhancock.com/dmisrab5
http://history-of-hinduism.blogspot.com/2010/07/hinduism-and-ancient-egyptian-religion.html