Cosmology of Hinduism is more advanced than modern #bhagvatam #bhagvatgita #jambodweep

For many people Bhagvatam or Sri bhagvatgita is only religion of Hindu book, but during Krishna there was no other so called cult religion what we have now since last ~2000 years ago.There was sanatan dharma, religion of truth- called Dharma everywhere. It is Kaliyug that entered after Dwapar gone when Sri Krishna departed from this earth, that made and still making all confusion. And this will carry on untill next Sri Krishna in diff form come.

Here ,I am trying to decode what is written in Bhagvatam about Cosmos,which modern scientist still far away to get even after many satellites and telescope they have.
This is based on Bhaktivedanta Institute scientist Sadaputa Dasa (Dr. Richard Thompson)'s article-"Mysteries of sacred universe".


While there is debate as who was a 9th Avtar of God- Buddha or Chaitanya Mahaprabhu, Hindus believe Chaitanya Mhaprabhu was a 9th Avtar of Vishnu.  And per Chaitanya“In every verse of Srimad-Bhagavatam and in every syllable, there are various meanings.”(Chaitanya-charitamrita, Madhya 24.318).
The Fifth Canto of the Srimad-Bhagavatam enumerate many universes. Each universe is like egg  shell surrounded by layers of elemental matter which is a boundary between mundane space and the unlimited spiritual world.
The region within the shell  is called the Brahmanda, or “Brahma egg.” It contains an earth disk or plane—called Bhu-mandala—that divides it into an upper, heavenly half and a subterranean half, filled with water. Bhu-mandala is divided into a series of geographic features, traditionally called dvipas, or “islands,”

varshas, or “regions,” and oceans.The circular “island” of Jambudvipa, lies in  the center of Bhu-mandala ) with nine varsha subdivisions. Subdivisions are known as -Bharata-varsha, which  is India/Bharat . In the center of Jambudvipa stands the cone-shaped Sumeru Mountain, which represents the world axis and is surmounted by the city of Brahma, the universal creator.
 Bhu-mandala are a stereographic projection of a globe .The land area between the equator and the mountain arc is Bharata-varsha, corresponding to greater India. Since its purpose was astronomical, rather geographical,so many other countries were not described.
The way it describes earth's is like this-It points out that night prevails diametrically opposite to a point where it is day. Likewise, the sun sets at a point opposite where it rises. Therefore, the Bhagavatam does not present the naive view that the Earth is flat.

In middle ages, astronomical instrument called an astrolabe was used which can be used today to compare Bhu-mandala.On the astrolabe, an off-centered circle represents the orbit of the sun—the ecliptic. The Earth is represented in stereographic projection on a flat plate, called the mater. The ecliptic circle and important stars are represented on another plate, called the rete. Different planetary orbits could likewise be represented by different plates, and these would be seen projected onto the Earth plate when one looks down on the instrument. The Bhagavatam similarly presents the orbits of the sun, the moon, planets, and important stars on a series of planes parallel to Bhu-mandala.
Bhu-mandala as a Map of the Solar System
Descriptions of Bhu-mandala have features that identify it as a model of the solar system.
The scholars Giorgio de Santillana and Hertha von Dechend carried out an intensive study of myths and traditions and concluded that the so-called flat Earth of ancient times originally represented the plane of the ecliptic (the orbit of the sun) and not the Earth on which we stand. In India, the earth of the Puranas has often been taken as literally flat. But the details given in the Bhagavatam show that its cosmology is much more developed.

Bhagavatam used the ecliptic model, and  the disk of Bhu-mandala corresponds to the solar system . The solar system is nearly flat. The sun, the moon, and the five traditionally known planets—Mercury through Saturn—all orbit nearly in the ecliptic plane.Thus Bhu- mandala does refer to something flat, but it’s not the Earth. The structures of Bhu-mandala correspond with the planetary orbits of the solar system  If we compare the rings of Bhu-mandala with the orbits of Mercury, Venus,Mars, Jupiter, and Saturn, we find several close alignments that give weight to the hypothesis that Bhu-mandala was deliberately designed as a map of the solar system
Until recent times, astronomers generally underestimated the distance from the earth to the sun. In particular, Claudius Ptolemy, the greatest astronomer of classical antiquity, seriously underestimated the Earth-sun distance and the size of the solar system. It is remarkable, therefore, that the dimensions of Bhu-mandala in the Bhagavatam are consistent with modern data on the size of the sun’s orbit and the solar system as a whole.
Jambudvipa as a Topographical Map of South-Central Asia
Jambudvipa,represents the northern hemisphere of the Earth globe. But the detailed geographic features of Jambudvipa do not match the geography of the northern hemisphere. They do, however, match part of the Earth.
Six horizontal and two vertical mountain chains divide Jambudvipa into nine regions, or varshas . The southernmost region is called Bharata-varsha. Careful study shows that this map corresponds to India plus adjoining areas of south-central Asia. It is easily understandable  as  Bhagavatam assigns many rivers and mountains, like Himalayas  in India to Bharata- varsha. Thus Bharata-varsha represents India. Bhagavatam places the Himalayas to the north of Bharata-varsha in Jambudvipa
A detailed study of Puranic accounts allows the other mountain ranges of Jambudvipa to be identified with mountain ranges in the region north of India. In ancient days, this part of Himalaya mountain was a place which had famous SILD ROAD to business activity between Middle east and India and Europe.The Pamir Mountains can be identified with Mount Meru and Ilavrita-varsha, the square region in the center of Jambudvipa. (Mount Meru does not represent the polar axis in this interpretation.)
Bhu-mandala as a Map of the Celestial Realm of the Devas

Per other Puranas,Bhu-mandala is a map of the celestial realm of the demigods, or devas. Other interpretation could be like this-Bharata-varsha includes the entire Earth globe, while the other eight varshas refer to celestial realms outside the Earth. This is a common understanding in India.
But the simplest explanation for the heavenly features of Jambudvipa is that Bhu-mandala was also intended to represent the realm of the devas. For example-
 India is said to be 72,000 miles (9,000 yojanas) from north to south, or nearly three times the circumference of the Earth. Likewise, the Himalayas are said to be 80,000 miles high. Such unrealistic value is secondary to representation of Jambudvipa as  heavenly realm and part of earth and there is connection between two so it doubles in size.Even modern scientist now believe that there is a parelles world. By siddhis, or mystic perfections, one can take shortcuts across space. This is illustrated by a story from the Bhagavatam in which the mystic yogini Citralekha abducts Aniruddha from his bed in Dvaraka or Dwarika and transports him mystically to a distant city

The  literature is full of stories of parallel worlds. For example, the Mahabharata tells the story of how the Naga princess Ulupi abducted Arjuna while he was bathing in the Ganges River .Ulupi pulled Arjuna down not to the riverbed, as we would expect, but into the kingdom of the Nagas (celestial snakelike beings), which exists in another dimension.
Mystical travel explains how the worlds of the devas are connected with our world. In particular, it explains how Jambudvipa, as a celestial realm of devas, is connected with Jambudvipa as the Earth or part of the Earth. Thus the double model of Jambudvipa makes sense in terms of the Puranic understanding of the siddhis.
 Bhagavata Cosmology

Upanishads on Creation : THE SPIDER ANALOGY

A wonderful illustration from Upanishads on Creation : THE SPIDER ANALOGY 

yathorṇa-nābhiḥ sṛjate gṛhṇate ca 
yathā pṛthivayām oṣadhayas sambhavanti |
yathā sataḥ puruṣāt keśalomāni
tathākṣarāt sambhavatīha viśvam ||

…… Mundak Upanishad 1.1.7

“ As a spider projects forth and draws back (its threads), as plants grow on earth, as hairs grow on the body, so does the universe emerge from the Imperishable Being.“



PURPORT :

Here three illustration is used :

Spider spinning the web
Varieties of plants growing from the earth
Hairs growing from the body

1.The spider designs its web. So it is the intelligent cause of the web. Raw material is also produced by the spider itself (normally any raw material is different from the maker). So here spider is the intelligent as well as the material cause of the web. In many cases like furniture, ornaments etc, the carpenter,who is the intelligent cause is different from wood,which is the material cause.Goldsmith is different from gold. Intelligent cause is called Nimitta Karanam. Material cause is called Upadana Karanam. So spider is Abhinna Nimitta Upadana Karanam. So is Brahman. It alone visualizes the creation; it alone is also the material. So he is the cosmic architect. Other than him there is nothing; no time, no space, so there is no question of searching for material cause.

2.Earth produces varieties of plants. Though earth is one, it is capable of producing different varieties. So is Brahman who is one but can produce diverse effects – Eka Karanath Aneka Vidha Karyani

3.Our body is live and sensient. But hair and nails are insensient. So the body which is of Chetana nature produces something of a different nature (Vilakshana Srishti which means cause producing an effect of a different nature). Normally we experience ‘Salakshana Srishti’ like mangoes in mango tree, humans begetting humans. But in Brahman, this Vilakshana Srishti is possible. The sensient creatures (Salakshana) and apparently insensient objects (Vilakshana) which constitute this Jagat is manifested by sensient Brahman.

Brahman :

Adrishyam (invisible)
Agrahyam (beyond our grasp)
Avarnam (beyond description)
Avyayam (indestructible)

Manifested world :

Drishyam ( Visible)
Grahyam ( Within our grasp)
Varnam (Can be described)
Vyayam ( Destructible)

So it shows Brahman can produce creation which seems to be of different nature.

In spider example, the spider not only designs and creates the web by itself but is its Laya Karanam also (it swallows/resolves its web into itself), whereas a pot maker does not swallow the pot!

Brahman also creates and resolves the creation into himself/itself (Srujate, Gruhnate). Like these three examples Brahman also creates the whole cosmos and finally resolves in himself.


Brihadaranyak Upanishad states :

“As the spider moves along the thread it produces, or as from a fire tiny sparks fly in all directions, even so from this Atman come forth all organs, all worlds, all gods, all beings. Its secret name (Upanishad) is "the Truth of truth." The ‘Prana’ (vital breaths) are the truth and their truth is Atman.”

...[Brihadaranyaka Upanishad 2.1.20] 

Stages of Creation of Material Universe ~ Structure of the Universe

INTRO

“There is a systematic schedule for the perpetual manifestation, maintenance and annihilation of the material world, as stated in Bhagavad-gītā (9.8): bhūta-grāmam imaṁ kṛtsnam avaśaṁ prakṛter vaśāt. As it is created now and as it will be destroyed later on, so also it existed in the past and again will be created, maintained and destroyed in due course of time. Therefore, the systematic activities of the time factor are perpetual and eternal and cannot be stated to be false. The manifestation is temporary and occasional, but it is not false as claimed by the Māyāvādī philosophers.

The material world is called illusory because it is a place of forgetfulness of the transcendental service of the Lord. Thus one engaged in the Lord’s devotional service in the material world may sometimes be very much disturbed by awkward circumstances. There is a declaration of war between the two parties, the illusory energy and the devotee, and sometimes the weak devotees fall victim to the onslaught of the powerful illusory energy. Lord Brahmā, however, was sufficiently strong, by the causeless mercy of the Lord, and he could not be victimized by the material energy, although it gave him cause for anxiety when it managed to totter the existence of his position.

The seeds of all the planets in the universe were impregnated in the lotus on which Brahmā was situated. All the planets were already generated by the Lord, and all the living entities were also born in Brahmā. The material world and the living entities were all already generated in seedling forms by the Supreme Personality of Godhead, and Brahmā was to disseminate the same seedlings all over the universe. The real creation is therefore called sarga, and, later on, the manifestation by Brahmā is called visarga.” [From the Puports by Srila Prabhupada]

9 KINDS OF CREATION AND 3 KINDS OF ANNIHILATION

Summarized from Śrīmad bhāgavatam 3.10 Divisions of the Creation

First creation: Mahat-tattva – sum total of material ingredients which modes interact due to the presence of the Lord

Second creation: False ego – material ingredients, material knowledge and material activities arise

Third creation: Sense perceptions – elements are generated

Fourth creation: Creation of knowledge and working capacity

Fifth creation: Controlling deities (demigods) – created by interaction of the mode of goodness; mind is the sum total of goodness

Sixth creation: Ignorant darkness of the living entity – master acts like a fool; forgetfullness of the relationship with the Supreme Lord; 5 kinds of illusion that cause material bondage: attachment, hatred, pride, ignorance and false identification

Creations from first (1) to sixth (6) are natural creations by external energy of the Lord (prākṛta-natural creations)

Seventh creation: Immovable entities: fruit trees without flowers, trees and plants, creepers, pipe plants, creepers with no support, trees with the flowers and fruits = they are almost unconscious but have feelings of pain within

Eigth creation: Lower species of life – 28 varieties, all extensivelly foolish and ignorant – they know their desirables by smell only; those are animals with cloven hooves, with one hoof, five nails on claws, birds etc.

Ninth creation: Human beings – mode of passion is very prominent in them

Creations from seventh (7) to ninth (9) are creations by Brahmā (vaikṛta creations)

There is also tenth creation and that is creation of the demigods which is of 8 varieties:

1. demigods
2. forefathers
3. asuras (demons)
4. Gandharvas (expert artisans in the higher planets) and Apsarās (Angels, angelic beings)
5. Yakṣas and Rākṣasas (demonic beings, man-eating demons, carnivorous)
6. Siddhas (perfected beings, advanced mystics), Cāraṇas (celestial singers) andVidyādharas (other demigods)
7. Bhūtas (ghosts), Pretas (evil spirits, hobgoblins, ghosts) and Piśācas (witches, evil spirits)
8. superhuman beings, celestial singers

These are all created by Brahmā.

3 KINDS OF ANNIHILATIONS

The three kinds of annihilations are (1) due to the scheduled time of the annihilation of the entire universe, (2) due to a fire which emanates from the mouth of Ananta, and (3) due to one’s qualitative actions and reactions.

LIFESPAN OF DEMIGODS

Summarized from Śrīmad-Bhāgavatam 3.11, Calculation of Time, from Atom

1 year of demigods = 360 years of humankind

12,000 years of demigods = 4 milleniums (yugas) = 4.320,000 years of humans

4 milleniums (yugas): Satya, Tretā, Dvāpara, Kali = 12,000 years of demigods

Satya yuga=4,800 years of demigods, Tretā yuga=3,600 years of demigods, Dvāpara yuga=2,400 years of demigods, Kali yuga= 1,200 years of demigods

Transitional periods between yugas (yuga-sandhyās) – few hundred years before and after every millenium (yuga) – in these periods all kinds of religious activities are performed.

LIFESPAN OF BRAHMĀ AND MANUS

There are 3 planetary systems:

Lower planets – Pātālalokas (Bhūḥ) – hellish planets

Middle planets – Bhūrlokas (Martya, Bhuvaḥ) – earthlike planets

Upper planets – Svarlokas (Svarga, Svaḥ) – heavenly planets

Still higher planets – Maharloka, Tapoloka, Satyaloka and Brahmaloka which do not dissolve in devastating water.

 

Brahma lives for 100 years (Brahma’s years). Please see the calculation:

4 yugas x 1000 = one day of Brahmā (4 x 4.320,000 x 1000)

likewise, 4 yugas x 1000 = one night of Brahmā – during which 3 planetary systems are submerged in the water of devastation. In this sleeping condition, Brahmā dreams of Garbhodakśayī Viṣṇu and takes instruction from the Lord for the rehabilitation of the devastated area of space. In the night of Brahmā, manifestation of universe merges in the darkness of night when living entities remain merged in dissolutions and everything is silent.

Lifespan of Manus = 852,000 years of demigods = 306,720,000 years of humankind

There are 14 consecutive Manus, fathers of mankind during one day of Brahmā, and each of them has different descendants. 7 sages, Indra, Gandharvas all appear simultaneously with Manu.

PROCESS OF DEVASTATION

Blazing fire from the mouth of Saṅkarṣaṇa rages for 100 years of demigods = 36,000 human years.

For another 36,000 years there are torrents of rain, violent winds and waves and the seas and oceans overflow. These 72,000 years are the beginning of the partial devastation of the 3 worlds.

LIFESPAN OF HUMANS IN DIFFERENT MILLENIUMS (YUGAS)

In Satya yuga = 100,000 years

In Tretā yuga = 10,000 years

In Dvāpara yuga = 1,000 years

In Kali yuga = 100 years

SCIENCE OF OHM.

IN THE BEGINNING WAS THE WORD
Eastern and western mythological and religious traditions agree that a Word,a primal sound, is the origin of the creation.
The Bible says:
“In the beginning was the Word, and the Word was with God, and the Word was God. He was in the beginning with God; all things were made through Him, and without him was not anything made that was made.”
– Bible, John 1:1
John is clearly referring to a single creative Word, not to the Bible collectively.
When you find the Word, you have found God!
The gospel of John is only one example of the ancient and universal belief that God created the Universe by means of a vibratory emanation, a divine Word.
Quantum physics agrees that vibration (sound) is the essence of all forms in the creation. Sound vibration brings into being the visual world of forms.
The Rig Veda revealed long ago that this primal sound, this ‘Word of God’, is AUM (OM).
The Vedic, Persian, Egyptian, Sumerian, and other ancient cultures teach that AUM radiates from the Sirius star system, Sirius A and Sirius B.
The acoustics of the Sirius Star System will reveal the truth concerning this Word of God.
How is AUM generated by Sirius A and B, and how is it said correctly?
The three sounds and tones of AUM are generated by the individual orbits of Sirius A and B, and their combined double helical spiral linear motion:
1. The A is generated by Sirius B’s orbit, and is said like the A in America, uh, in the tone F.
2. The U is generated by Sirius A’s orbital motion, and is said like the u in tune in the tone F#.
3. The M is generated by their combined double-helix linear motion, and is said in the tone G.
The animation below shows the actual orbits and double helical linear pathway of Sirius A and B, and how these motions generate the three sounds and tones of AUM.

Why would God use the F, F#, G, tritone?
AUM is the ultimate fractal information compression system. The F, F#, G, tritone used to say AUM creates an infinity of overtones and undertones.
AUM is the ‘Mandelbrot Set of sound’ that encodes the entire creation. To be more exact, AUM is the transposed sound of the Mandelbrot Set of fractal geometry.
(AUM in the F, F#, G tritone) = (Z=Z squared+C)

The science of Cymatics provides visual proof of the ‘sound equals form’ axiom, so we can now see the vibratory form of AUM.
Hans Jenny’s work in the science of Cymatics (the study of the interrelationship of sound and form) has shown that when AUM is spoken, the pattern of circles and triangles of the Sri Yantra appears in an electron vibration field sensor called a Tonoscope. (See below left).
The very ancient traditional image of the Sri Yantra has always shown the fifty sounds of the Vedic Sanskrit language distributed throughout the diagram of the Sri Yantra. (See above right)
Jenny also discovered that when the individual sounds of the Vedic Sanskrit alphabet are spoken, the written form of the letter appeared in the tonoscope. The sound of the letter is the vibratory form of the letter.
The fifty sounds of the Vedic Sanskrit alphabet are known to have their origin with AUM.
The fifty sounds of this divine alphabet are in fact generated by and radiate from the Sirius system because Sirius A and B go through a fifty year orbit around each other that is divided into fifty segments of sound by fifty eclipses.
The modern languages of Europe are called Indo-European languages because they are ‘daughters’ of Vedic Sanskrit, the ‘Mother Tongue.’
The AUM Symbol and Fractal Geometry
The science of Cymatics has shown that the Sri Yantra is produced by the sound of AUM, but what is the origin of the AUM symbol?
Although the AUM symbol is drawn in many different ways, the correct form and proportions of the AUM symbol are determined by the visual outline that appears in the Sri Yantra.
Locating the AUM symbol in the Sri Yantra is as simple as entering dots on the corners of the triangles that approximate the form of the AUM symbol, and then connecting the dots.
The form and proportions of the AUM symbol that appears in the Sri Yantra, are an exact match for the form and proportions of Sirius A and B at their once every fifty years conjunction.
The form and proportions of the AUM symbol appearing in the Sri Yantra are also the form and proportions of the outline of the Mandlebrot set.
The Mandlebrot Set is the visual representation of the fractal formula Z = Z squared + C. This fractal formula is the origin of the beautiful and infinitely varied imagery of fractal geometry, the geometry of DNA and the natural world.
AUM is the fractal sound formula for the Mandlebrot set, and the infinity of auditory and visual forms generated by the M-Set.
AUM and the Mandlebrot set are fully transposable and represent the true infinity of sound and form (Sanskrit nama and rupa) of the created universe.
AUM = (Z=Z squared + C). AUM in the creative F, F#, G, tritone is what the Mandlebrot set sounds like, and is the sound made by the DNA at cell division (mitosis).
The excellent book on fractal geometry: The Colors of Infinity, includes a copy of this educational and visually inspiring documentary.
It is an astonishing fact that the outline and proportions of the AUM symbol appearing in the Sri Yantra is a perfect match for the outline and proportions of Sirius A and B at their conjunction, the Mandlebrot Set, and the sitting Buddha.

These are scientifically provable connections between the fractal sound formula of AUM, and the fractal visual formula of the Mandelbrot Set that describe the curvilinear forms of the DNA-based creatures of the living world.
In Clarke’s documentary, Dr. Michael Barnsley says of the Mandlebrot Set, “It’s just like the DNA,” and Dr. Ian Stewart says, “Some people actually call it the thumbprint of God.”
Where else does this miraculous tritone appear?
1. Cell division (mitosis): The F, F#, G, tritone of AUM accompanies the miracle of cell division when the DNA creates a new strand of DNA (and checks it for errors).
Cells are sound chambers. All the molecular processes and functions in the cell are controlled by the sound radiated by the DNA. The tritone occurs at mitosis when the DNA creates a copy of itself, and then it just hums along in a G tone until the next replication.
“The F, F#, G tritone is particularly intense briefly before mitosis (cell division) when two nuclei with identical genetic information are formed. Mitosis is only one of many creative microcosmic processes that are accompanied by this sacred tritone.” Nada Brahma: The World is Sound: Music and the Landscape of Consciousness, p. 69
From a single cell, our entire organism grew out by using the F, F#, G, tritone of AUM.
2. Photosynthesis:
“The F, F#, G, tritone forms the key tension in the nitrogen atom during photosynthesis when sunlight is transformed into chlorophyll, into living green. From sunshine grows living matter. The Word made flesh.”
Nada Brahma: The World is Sound: Music and the Landscape of Consciousness, p. 70
The same miraculous tritone that transforms light into living vegetation also accompanies the cellular growth of the creatures that will consume that vegetation. God would keep it simple.

3. Creation: AUM is the fractal sound pattern of the Big Bang.


In the beginning, the mass of the entire creation was contained in one Primal Star. This Star is sometimes referred to as the Singularity.
Even though it contained the mass of the entire cosmos, the Primal Star seemed infinitely small in relation to the boundless space around it. It was the “singularity” of physics.
This Primal Star was undivided awareness and consciousness.
Love was the motivation that caused the first movement within the plasma of the Primordial Star. God is love.
The spinning mass of Sirius B generated the first sound as it moved into its elliptical orbit at the center of the Primal Star. Without movement there is no sound.
This first sound in the creation is the first sound of AUM, the A, and is said like the “a” in America, (uh), in the tone F. This first movement and its sound continue to exist as Sirius B and its elliptical orbit.
The counter-point, counter spin, or counter-flow, of Sirius B’s first orbital movement now exists as Sirius A and its elliptical orbit, and generates the second sound in AUM, the U, said like the “u” in tune, in the tone F#.
The third sound in AUM, the nasalated M in the tone G, is generated by the double helical spiral vortex that slowly extended from the center of the Primal Star to the top and bottom.
This double helix flow form was generated by and tuned to the orbits of Sirius A and B at the center of the Primal Star. (The outline of this primal double helix is still visible in x-ray pictures of the Sirius system, and will soon be posted here).
This primal vortex is historically referred to as the Axis of the Universe, or Hamlet’s Mill, which generated the universe.
As this primal double helix generated by the orbits of Sirius A and Sirius B slowly extended from the center to the top and bottom of the Primal Star, it caused countless smaller vortices to form that would become the galaxies, stars, and planetary systems of the universe.
When the internal vortex motion and the resulting sound generated by AUM and the F, F#, G, tritone reached full resonance, the Primal Star, suddenly expanded into the infinite detail of the created universe, in the event known as the Big Bang.
This double helix form provided the unlimited fractal encodement capability required for the creation of the infinite detail of the cosmos, including planetary biospheres and the DNA-based creatures that occupy them.
AUM is the fractal sound formula for the entire creation. It is the Mandelbrot Set of sound, or to put it more correctly, AUM is the transposed sound of the Mandelbrot Set.
The alchemists called this three part sound (AUM in the F, F#, G, tritone) the “quintessence,” and said that this tritone accompanies all creative processes, including the creation of the universe.
They are correct. AUM is the quintessential creative sound. If it was anything less, it would not qualify as the Word of God that “ordered” the Big Bang.
Please be tolerant of the very basic nature of the following animations, they will soon be improved:

What practical benefit does this information have for me?
Saying AUM correctly in the creative F, F#, G, tritone induces resonance in the soft palate in the roof of our mouth, and transfers this resonance to our pineal gland, which sits directly above the soft palate.
This specific resonance causes our pineal gland to secrete dimethyltryptamine into our blood.
Dimethyltryptamine is a powerful mind-manifesting, visionary, and meditative substance that is metabolized out in 20 to 30 minutes after it enters the blood. A brief but beautiful experience caused by the Word of God.
Our pineal gland is known as our third eye, and is recognized as the connecting point of our physical and spiritual being.
This sound resonance connection between the Word of God and our pineal gland was designed into our DNA by the Creator.
By saying AUM in the F, F#, G, tritone, we are creating the fractal sound formula of our own DNA, and consciously activating our pineal gland (our third eye) using sound resonance. Good plan.

Why Was This Tritone Banned by the Catholic Church?
The miraculous and creative F, F#, G, tritone of AUM is the only sound ever banned by the Catholic Church, who declared it to be diablos en musica, the devil in music.
Because AUM cannot be said correctly without using this tritone, the Catholic Church has in effect banned theWord of God.
When contacted, Catholic Church authorities were unable to explain or offer any reason.
In any case, they do not want us to say the Word of God, and gain access to our third eye and the visionary consciousness that was designed into our being by the Creator.

BIG BANG THEORY DEBUNKED. Modern Physics and Hindu Philosophy #Debunked Big Bang

Now scientist are confused saying big bang never hapenned and Universe was forever, so there is no end and begining , infinite as Ancient India sages, scientists always say phys.org."The Big Bang singularity is the most serious problem of general relativity because the laws of physics appear to break down there," Ahmed Farag Ali at Benha University and the Zewail City of Science and Technology, both in Egypt, told Phys.org.Ali and coauthor Saurya Das at the University of Lethbridge in Alberta, Canada, have shown in a paper published in Physics Letters B that the Big Bang singularity can be resolved by their new model in which the universe has no beginning and no end.

Read more at: http://phys.org/news/2015-02-big-quantum-equation-universe.html#jCp

Read more at: http://phys.org/news/2015-02-big-quantum-equation-universe.html#jCp 

Modern Physics and Hindu Philosophy

There are amazing similarities between implications of theories of modern physics and ancient Hindu philosophy as expressed in Vedas and Upanishads. The basis of Hindu philosophy is the mystical idea of Brahman. The Brahman is usually described by the words “Neti, Neti “meaning, not this, not this! When I went into study of physics, I realized that, as far as knowledge of ultimate reality is concerned, physicists are in exactly same situation as the ancient Rishis. Both cannot describe it in everyday language. In Mundak Upanishad, knowledge is divided into two parts: Para Vidya which deals with the eternal truth that can lead to self realization and Apara Vidya which deals with knowledge about material world. Under this classification, Physics might come under Apara Vidya. But, I would like to convince you that Modern Physics is also Para Vidya!

 A number of early pioneers in quantum theory such as Bohr, Schrodinger, Heisenberg and later Bohm, were deeply influenced by eastern mystical ideas. A number of books have been written on this subject. Fritz Capra’s book in seventies on “The Tao of Physics” started the ball rolling. More recently, physicists Subhash Kak, Amit Goswami, John Hagelin (Maharshi Mahesh Yogi’s group) and some others have published extensively on this subject.

Now, I will describe briefly implications of some of the theories of modern physics for non-physicists. Physics which was discovered before the 20th century is known as classical physics which describes everyday physics like major parts of mechanics, heat, electricity-magnetism, optics etc which are used extensively in engineering and technology. At the beginning of 20th century, experimental data and certain inconsistency problems compelled physicists to accept two revolutionary theories: Quantum theory and Relativity theory. Physicists were forced to change their view of nature drastically as a result. Initially, there was immense reluctance to give up classical ideas. They were forced into quantum theory and relativity theory kicking and screaming. First of all, it was found that the world is not made out of rigid firm objects like billiard balls or bricks. At the atomic and sub-atomic level it consists of fuzzy wavelike objects and lot of empty space. So the solid nature of objects we see around is only apparent. As one goes deeper and deeper, one keeps on finding vacuum all the way. cosmology of hinduism is more advanced
This reminds one of the ideas of sunyata and Maya or illusion covering the whole universe, as Adi Shankaracharya said “Brahma Satyam, Jagat Mithya”. Brahman is the only truth; the world is a false illusion. Now, just like us, he must have seen solid bodies, rigid walls and trees. I believe he realized that all of this disintegrates and thus cannot be fundamental reality. Thus, because of the covering of Maya, one does not see the underlying real Brahman. (Previously, the concept of Maya from Mandukya Upanishad was emphasized by Shankaracharya’s spiritual grandfather Gaudapadacharya). Similarly, in physics, one sees only the material objects around and does not see strange quantum fuzzy world underlying all the matter. Moreover, the particles of modern physics are believed to be in some kind of suspended state devoid of any specific properties until they are measured. They are in some sense both here and there at the same time and are described by a wave function, a superposition of seemingly contradictory properties. Such a description is very similar to the description of Brahman e.g. in Ishopanishad: “It moves and it moves not; it is far and it is near; it is within all this and it is also outside all this.” Then the ultimate shock of quantum theory came when Bell’s theorem and subsequent experiments proved the so called entanglements to be right. In such cases, two or more atoms, electrons or photons demonstrate correlated properties even at distances where no communication is possible between them during the given time. These developments are the most important developments in the history of physics and perhaps in the whole of science. They give rise to the idea of the interconnected wholeness of the world and non-local interactions in contrast to the separate identities with local interactions. Thus atoms also exhibit holistic like properties and perhaps some primitive relationship to consciousness. So it is not proper to say that any analysis starting with atoms is reductionist and not holistic.
The four Mahavakyas express similar concept about individual and Brahman. Pragnanam Brahman - "Consciousness is Brahman" (Aitareya Upanishad 3.3 of the Rig Veda) Ayam Atma Brahman - "This Self (Atman) is Brahman" (Mandukya Upanishad 1.2 of the Atharva Veda) Tat Tvam Asi - "That Thou art " (Chandogya Upanishad 6.8.7 of the Sama Veda) Aham Brahmasmi- "I am Brahman" (Brhadaranyaka Upanishad 1.4.10 of the Yajur Veda). Thus Brahman is present in everything. This matches very well with the concept of modern physics that everything is made out of the same fundamental particles. Another basic finding of quantum theory is the involvement of the observer in the observed things. It is impossible to separate the effect of the measuring apparatus from the object measured. Detachment of the two is just not possible. Such an idea about the observer and the object of observation is also emphasized in Upanishads. It is behind the holistic philosophy about mind and body.

A leading current model of origin of universe assumes that there was total vacuum in the beginning and the universe arose from a quantum fluctuation. In this way something came out of nothing. At that time it was totally dark since light had not emerged from vacuum yet! Compare this model with the following quotation from Vayupuran about origin of universe. "In the beginning, there was nothing in the universe. The Brahman (the divine essence) alone was everywhere. The Brahman had neither color nor scent; it could not be felt or touched. It had no origin, no beginning or no end. The Brahman was constant and it was the origin of everything that was destined to be in the universe and the universe was shrouded in darkness. nasadiya sukta  of Rig Veda(story of creation) also mentions that there was total darkness before creation.

There are strange facts in the theory of relativity also: It requires that measurement of time depends on observer’s motion and also the strength of gravitational field he/she is in. An often recurring mention in Hindu scriptures is that Brahma’s time is different from ours. When one hears about Arjun looking at the past, present and future in the mouth of Lord Krishna in Vishwaroop Darshan (Ch.11 of Bhagvatgeeta), one is reminded of collapse of the space time coordinate system near singularities of general theory of relativity. Also, it is well known that Hindu scriptures came up with the correct order of magnitude of the age of universe of several billion years, when other religious systems insisted on the age to be a few thousand years.
Per Upanishad’s, Brahman cannot be understood by logic! If it can be understood, it is not Brahman! There is a story about two yogis.
Some parts of Vedas are full of worship of natural elements like wind, water, fire etc and also picture Gods to look like human beings in the form of avatars. In some parts of Vedas and many Upanishads, we see clearly concept of abstract, omnipresent, invisible, eternal, transcendent and immanent Brahman who has qualities unfamiliar in our everyday life. 

Scientist such as Penrose, Hameroff and Stapp have suggested that consciousness in our brain may arise from atomic size domains and hence consciousness may be quantum mechanical in nature. but currently there is no real understanding of consciousness.link
There is an all pervading holistic non-local layer which we may call Brahman. Part of our consciousness may draw on this. This connection may be what is called Atman. Non-local entanglements of atoms may be also related to this layer.

HINDUISM FACTS.