Stages of Creation of Material Universe ~ Structure of the Universe

INTRO

“There is a systematic schedule for the perpetual manifestation, maintenance and annihilation of the material world, as stated in Bhagavad-gītā (9.8): bhūta-grāmam imaṁ kṛtsnam avaśaṁ prakṛter vaśāt. As it is created now and as it will be destroyed later on, so also it existed in the past and again will be created, maintained and destroyed in due course of time. Therefore, the systematic activities of the time factor are perpetual and eternal and cannot be stated to be false. The manifestation is temporary and occasional, but it is not false as claimed by the Māyāvādī philosophers.

The material world is called illusory because it is a place of forgetfulness of the transcendental service of the Lord. Thus one engaged in the Lord’s devotional service in the material world may sometimes be very much disturbed by awkward circumstances. There is a declaration of war between the two parties, the illusory energy and the devotee, and sometimes the weak devotees fall victim to the onslaught of the powerful illusory energy. Lord Brahmā, however, was sufficiently strong, by the causeless mercy of the Lord, and he could not be victimized by the material energy, although it gave him cause for anxiety when it managed to totter the existence of his position.

The seeds of all the planets in the universe were impregnated in the lotus on which Brahmā was situated. All the planets were already generated by the Lord, and all the living entities were also born in Brahmā. The material world and the living entities were all already generated in seedling forms by the Supreme Personality of Godhead, and Brahmā was to disseminate the same seedlings all over the universe. The real creation is therefore called sarga, and, later on, the manifestation by Brahmā is called visarga.” [From the Puports by Srila Prabhupada]

9 KINDS OF CREATION AND 3 KINDS OF ANNIHILATION

Summarized from Śrīmad bhāgavatam 3.10 Divisions of the Creation

First creation: Mahat-tattva – sum total of material ingredients which modes interact due to the presence of the Lord

Second creation: False ego – material ingredients, material knowledge and material activities arise

Third creation: Sense perceptions – elements are generated

Fourth creation: Creation of knowledge and working capacity

Fifth creation: Controlling deities (demigods) – created by interaction of the mode of goodness; mind is the sum total of goodness

Sixth creation: Ignorant darkness of the living entity – master acts like a fool; forgetfullness of the relationship with the Supreme Lord; 5 kinds of illusion that cause material bondage: attachment, hatred, pride, ignorance and false identification

Creations from first (1) to sixth (6) are natural creations by external energy of the Lord (prākṛta-natural creations)

Seventh creation: Immovable entities: fruit trees without flowers, trees and plants, creepers, pipe plants, creepers with no support, trees with the flowers and fruits = they are almost unconscious but have feelings of pain within

Eigth creation: Lower species of life – 28 varieties, all extensivelly foolish and ignorant – they know their desirables by smell only; those are animals with cloven hooves, with one hoof, five nails on claws, birds etc.

Ninth creation: Human beings – mode of passion is very prominent in them

Creations from seventh (7) to ninth (9) are creations by Brahmā (vaikṛta creations)

There is also tenth creation and that is creation of the demigods which is of 8 varieties:

1. demigods
2. forefathers
3. asuras (demons)
4. Gandharvas (expert artisans in the higher planets) and Apsarās (Angels, angelic beings)
5. Yakṣas and Rākṣasas (demonic beings, man-eating demons, carnivorous)
6. Siddhas (perfected beings, advanced mystics), Cāraṇas (celestial singers) andVidyādharas (other demigods)
7. Bhūtas (ghosts), Pretas (evil spirits, hobgoblins, ghosts) and Piśācas (witches, evil spirits)
8. superhuman beings, celestial singers

These are all created by Brahmā.

3 KINDS OF ANNIHILATIONS

The three kinds of annihilations are (1) due to the scheduled time of the annihilation of the entire universe, (2) due to a fire which emanates from the mouth of Ananta, and (3) due to one’s qualitative actions and reactions.

LIFESPAN OF DEMIGODS

Summarized from Śrīmad-Bhāgavatam 3.11, Calculation of Time, from Atom

1 year of demigods = 360 years of humankind

12,000 years of demigods = 4 milleniums (yugas) = 4.320,000 years of humans

4 milleniums (yugas): Satya, Tretā, Dvāpara, Kali = 12,000 years of demigods

Satya yuga=4,800 years of demigods, Tretā yuga=3,600 years of demigods, Dvāpara yuga=2,400 years of demigods, Kali yuga= 1,200 years of demigods

Transitional periods between yugas (yuga-sandhyās) – few hundred years before and after every millenium (yuga) – in these periods all kinds of religious activities are performed.

LIFESPAN OF BRAHMĀ AND MANUS

There are 3 planetary systems:

Lower planets – Pātālalokas (Bhūḥ) – hellish planets

Middle planets – Bhūrlokas (Martya, Bhuvaḥ) – earthlike planets

Upper planets – Svarlokas (Svarga, Svaḥ) – heavenly planets

Still higher planets – Maharloka, Tapoloka, Satyaloka and Brahmaloka which do not dissolve in devastating water.

 

Brahma lives for 100 years (Brahma’s years). Please see the calculation:

4 yugas x 1000 = one day of Brahmā (4 x 4.320,000 x 1000)

likewise, 4 yugas x 1000 = one night of Brahmā – during which 3 planetary systems are submerged in the water of devastation. In this sleeping condition, Brahmā dreams of Garbhodakśayī Viṣṇu and takes instruction from the Lord for the rehabilitation of the devastated area of space. In the night of Brahmā, manifestation of universe merges in the darkness of night when living entities remain merged in dissolutions and everything is silent.

Lifespan of Manus = 852,000 years of demigods = 306,720,000 years of humankind

There are 14 consecutive Manus, fathers of mankind during one day of Brahmā, and each of them has different descendants. 7 sages, Indra, Gandharvas all appear simultaneously with Manu.

PROCESS OF DEVASTATION

Blazing fire from the mouth of Saṅkarṣaṇa rages for 100 years of demigods = 36,000 human years.

For another 36,000 years there are torrents of rain, violent winds and waves and the seas and oceans overflow. These 72,000 years are the beginning of the partial devastation of the 3 worlds.

LIFESPAN OF HUMANS IN DIFFERENT MILLENIUMS (YUGAS)

In Satya yuga = 100,000 years

In Tretā yuga = 10,000 years

In Dvāpara yuga = 1,000 years

In Kali yuga = 100 years

Purusha Sukta from Rigveda (Sacred Chants)

PURUSH SUKTA- SACRED CHANT

Purusha Sukta from Rigveda (Sacred Chants) – beautiful hymn in praise of Supreme Cosmic Being, the Supreme Lord, the Lord of Lords. God, the Father, the Supreme Personality of Godhead  is One, all pervading, Omnipresent, Omniscient, Omnipotent; yet He expands Himself into many, directly or indirectly. His first expansion is Lord Baladeva (as the ‘Son’) from Whom everything is created. The Son’s act of creation is considered His Self-sacrifice (yajna). Purusha means the Original Person, the Supreme Enjoyer; as such, He is the Supreme Enjoyer of all sacrifices and the sacrifice (oblation) Itself. (The term sacrifice means: offering something to God with Love. Anything offered to God with Love is sacrifice. Love and affection is the only valid ingredient of such sacrifice.) He Himself further expands into many, everything is His energy, all universes and ourselves; “For in Him we live and move and exist. As some of your own poets have said, ‘We are His offspring’.” [Acts 17,28] “All of you together are Christ’s Body, and each of you is a part of it.” [1 Cor 12,27]

Content:

Purusha is described as a Primeval gigantic Person, from whose Body the world and the varnas (socioeconomic classes) are built. He is described as having a thousand heads and a thousand feet. He emanated Viraj, the female creative principle, from which he is reborn in turn before the world was made out of his parts.

In the sacrifice of Purusha, the Vedic chants were first created. The horses and cows were born, the Brahmins (Learned men) were made from Purusha’s mouth, the Kshatriyas (Men with strength) from his arms, the Vaishyas (Men with business acumen) from his thighs, and the Shudras (Men who Work) from his feet. [1] The Moon was born from his mind, the Sun from his eyes, the heavens from his skull. Indra and Agni emerged from his mouth.

The hymn finds place in various Vedic texts such as the Atharvaveda (19.6), the Samaveda (6.4), the Yajurveda (VS 31.1-6), the Taittiriya Aranyaka (3.12,13), and it is commented upon in the Shatapatha Brahmana, the Taittiriya Brahmana, the Shvetashvatara Upanishad and the Mudgala Upanishad. It is one of the few Rig vedic hymns still current in contemporary Hinduism like, the Gayatri mantra. The Purusha Sukta is also mentioned with explanations and interpretations in the Vajasaneyi Samhita (31.1-6), the Sama veda Samhita (6.4), and the Atharva veda Samhita (19.6). Among Puranic texts, the Sukta has also been elaborated in the Bhagavata Purana (2.5.35 to 2.6.1-29) and in the Mahabharata.

Peace Invocation

Om taccham yoravrini mahe
ghatun yajnaya
ghatun yajnapataye
daivi svastirastu naha
svastir manushebhyaha
urdhvam jigatu bheshajam
sham no astu dvipade
sham chatushpade
Om shantih shantih shantihi

We worship and pray to the Supreme Lord for the welfare of all beings. May all miseries and shortcomings leave us forever so that we may always sing for the Lord during the holy fire ceremonies. May all medicinal herbs grow in potency so that all diseases may be cured. May the gods rain peace on us. May all the two-legged creatures be happy, and may all the four-legged creatures also be happy. May there be peace in the hearts of all beings in all realms.

Om sahasra shirsha purushaha
sahasrakshas sahasrapat
sa bhumim vishvato vritva
atyatishthad dhashangulam

The Purusha (the Supreme Lord) has a thousand heads, a thousand eyes and a thousand feet. He has enveloped this world from all sides and has (even) transcended it by ten angulas or inches.

purusha evedagam sarvam
yadbhutam yaccha bhavyam
utamritatva syeshanaha
yadanne natirohati

All this is verily the Purusha. All that which existed in the past or will come into being in the future (is also the Purusha). Also, he is the Lord of immortality. That which grows profusely by food (is also the Purusha).

etavanasya mahima
ato jyayagamshcha purushaha
padosya vishva bhutani
tripadasya mritam divi

So much is His greatness. However, the Purusha is greater than this. All the beings form only a quarter (part of) Him. The three-quarter part of His, which is eternal, is established in the spiritual domain.

tripadurdhva udaitpurushaha
padosyeha bhavatpunaha
tato vishvajya kramat
sashana ashane abhi

The Purusha with the three-quarters (of His energy) ascended above (the spiritual energy). His one quarter of material energy becomes this creation again (and again). Then He pervades this universe comprising a variety of sentient beings and insentient objects.

tasmad viradajayata
virajo adhi purushah
sa jato atyarichyata
pashchad bhumimatho puraha

From Him (the Adipurusha or original Supreme Being) was born the Virat (or Virat Purusha, the immense universal form). Making this Virat as the substratum (another) purusha (or being, Brahma) (was born). As soon as he was born, he multiplied himself. Later, he created this earth and then, the bodies (of the living beings).

yatpurushena havisha
deva yajnam atanvata
vasanto asyasidajyam
grishma idhmash sharaddhavihi

When the devas (the demigods or beings of light) performed a yajna (or sacrificial ritual), using the Purusha as the havis (sacrificial material) for the yajna (ritual), the Vasanta (spring) became the ajya (ghee), the Grishma (summer) served as idhma (pieces of wood) and the sharad (autumn) filled the place of havis (oblatory material like the purodasha or rice-cake).

saptasyasan paridhayaha
trissapta samidhah kritaha
deva yadjajnam tanvanaha
abadhnan purusham pashum

For this (yajna or spiritual ceremony) there were seven paridhis (fuel pieces serving as borders). And, twenty-one items were made the samit or sacrificial fuel sticks. When the devas were performing this yajna or ceremony, they tied the Purusha (Himself) as the pashu (sacrificial animal).

tam yajnam barhishipraukshan
purusham jatamagrataha
tena deva ayajantaha
sadhya rishayashchaye

The devas, the sadhyas and the rishis performed the sacrifice by using that Purusha as the means of yajna, the Purusha who had been born in the beginning, after sprinkling him with water by the barhis (or sacrificial grass).

tasmad yajnat sarvahutaha
sambhritam vrishadajyam
pashugamstya gashchakre
vayavyan aranyan gramashcaye

From that yajna (or sacrificial ritual) wherein the Cosmic Being was Himself the oblation, was produced the prasajya (or curds mixed with ghee). Birds flying in the air, wild animals of the forest as also the domesticated animals of the villages were also produced.

tasmad yajnat sarvahutaha
richassamani jijignire
chandhagamsi jijignire tasmat
yajus tasmad ajayata

From that yajna (or sacrifice) wherein the Cosmic Being was Himself the oblation, were born the riks (the mantras of the Rig-veda) and the samans (the mantras of the Sama-veda). From that (yajna) the metres (like Gayatri) were born. From that (yajna again) the yujas (the Yajur-veda) was born.

tasmadashva ajayata
ye ke cobhaya dataha
gavo ha jijignire tasmat
tasmad jnata ajavayaha

From that were born the horses, as also animals (like donkeys and mules) which have two rows of teeth. From that were born the cattle. From that (again) were born goats and sheep.

yatpurusham vyadadhuhu
kadhita vyakalpayan
mukham kimasya kau bahu
kavuru padavuchayate

(Now some questions are raised by the sages:) When the gods decided to (mentally) sacrifice the Viratpurusha (and produce further creation), in how many ways did they do it? What became of his face or mouth? What became of his two arms? What became of His two thighs? What were (the products of) the two feet called?

brahmanosya mukhamasit
bahu rajanyah kritaha
uru tadasya yadvaishyaha
padhyagam shudro ajayata

From His face (or the mouth) came the brahmanas. From His two arms came the rajanya (the kshatriyas). From His two thighs came the vaishyas. From His two feet came the shudras.

chandrama manaso jataha
chakshoh suryo ajayata
mukhad indrash chagnishcha
pranadvayur ajayata

From His mind was born the moon. From His two eyes was born the sun. From His mouth were born Indra and Agni. From His breath was born the air.

nabhya asidanta riksham
shirshno dyauh samavartata
padhyam bhumirdishash shrotrat
tada lokagamm akalpayan

From (His) navel was produced the antariksha (the space between the earth and the heavens). Dyuloka (or heaven) came into existence from His head. The bhumi (the earth) evolved out of His feet, and deek (or spacial directions) from His ears. Similarly (the demigods) produced the worlds (too).

vedahametam purusham mahantam
adityavarnam tamasastu pare
sarvani rupani vichitya dhiraha
namani kritva abhivadan yadaste

“I know (through intuitive experience) this great Purusha (the Supreme Lord), the wise one, who, having created the various forms and the nomenclatures (for those forms), deals with them by those names, and who is beyond darkness and is brilliant like the sun.”

dhata purastadya mudajahara
shakrah pravidvan pradishashcha tasraha
tamevam vidvan amrita iha bhavati
nanyah pantha ayanaya vidyate

In the ancient days, Prajapati (Brahma) praised Him. Indra who knows all the four quarters also spoke about Him. Anyone who knows Him thus, will become immortal even in this life. For attaining liberation there is no other path (than knowledge of this Purusha, the Supreme Lord).

yajnena yajnam ayajanta devaha
tani dharmani pradhamanyasan
te ha nakam mahimanas sacante
yatra purve sadhyah santi devaha

The (demi)gods worshiped (the Supreme Creator in the form of) yajna through yajna (sacrifical ceremonies). Those very processes became the primary dharmas (laws guiding humanity). Those great ones attain that heaven where the ancient devas (demigods) and sadhyas live.

adbhyas sambhutah prithivyai rasacca
vishvakarmanas samavartatadhi
tasya tvashta vidadhad rupameti
tatpurushasya vishvamajanamagre

The Viratpurusha manifested Himself from out of (the all-pervading) water as also the essence of the element of earth. This Virat-purusha was born out of the greatness of the Parama-purusha, the Creator. The (Paramapurusha, known as) Tvashta engaged Himself in the act of creating (the fourteen planetary systems), (which form of the expanded) figure (of the Viratpurusha). (Thus) the entire creation (related to the Viratpurusha) came into existence in the very beginning of creation.

vedahametam purusham mahantam
adityavarnam tamasah parastat
tamevam vidvan amrita iha bhavati
nanyah pantha vidyate’yanaya

“I have known that great Purusha (Supreme Lord) who is brilliant like the sun and who is beyond all darkness. One who knows Him thus becomes immortal (even) here. There is no other path for liberation than this.”

prajapatishcharati garbhe antaha
ajayamano bahudha vijayate
tasya dhirah parijananti yonim
marichinam padamicchanti vedhasaha

Prajapati (the Supreme Creator) moves inside the cosmic womb. (Though) unborn He takes birth in a variety of ways. The wise ones know His (real nature) as the origin (of the universe). The (secondary) creators desire to attain the positions of Marichi and others.

yo devebhya atapati
yo devanam purohitaha
purvo yo devebhyo jataha
namo ruchaya brahmaye

Obeisances to Him, the self-luminous Brahman, who shines for the (demi)gods, who is the leader of the rituals of the gods and who was born even before the gods.

rucham brahmam janayantaha
deva agre tadabruvan
yastvaivam brahmano vidyat
tasya deva asanvashe

In the beginning of creation, the gods, manifesting the light of Brahman, addressed Brahman thus: “That brahmana who realizes (You) thus, all the gods will come under his control.”

hrishcha te lakshmishcha patnyau
ahoratre parshve
nakshatrani rupam
ashvinau vyattam
ishtam manishana
amun manishana
sarvam manishana
Om shanti shanti shantihi

O Purusha! The goddesses Hri (modesty) and Sri (Lakshmi, wealth) are Your consorts. Day and night are Your lateral limbs. The stars are Your form. The Ashvins are your widely opened (mouth). (O Purusha) fulfill our desire for self-knowledge as also our desire for the enjoyments of this world (like longevity, cows, and horses). Give us all that we need. Om, let there be peace, peace, peace.

Tippi, born of French parents was let to grow with animals of the wild in Namibia, Africa.

Tippi of French parents grows up among the wild.

SCIENCE OF OHM.

IN THE BEGINNING WAS THE WORD
Eastern and western mythological and religious traditions agree that a Word,a primal sound, is the origin of the creation.
The Bible says:
“In the beginning was the Word, and the Word was with God, and the Word was God. He was in the beginning with God; all things were made through Him, and without him was not anything made that was made.”
– Bible, John 1:1
John is clearly referring to a single creative Word, not to the Bible collectively.
When you find the Word, you have found God!
The gospel of John is only one example of the ancient and universal belief that God created the Universe by means of a vibratory emanation, a divine Word.
Quantum physics agrees that vibration (sound) is the essence of all forms in the creation. Sound vibration brings into being the visual world of forms.
The Rig Veda revealed long ago that this primal sound, this ‘Word of God’, is AUM (OM).
The Vedic, Persian, Egyptian, Sumerian, and other ancient cultures teach that AUM radiates from the Sirius star system, Sirius A and Sirius B.
The acoustics of the Sirius Star System will reveal the truth concerning this Word of God.
How is AUM generated by Sirius A and B, and how is it said correctly?
The three sounds and tones of AUM are generated by the individual orbits of Sirius A and B, and their combined double helical spiral linear motion:
1. The A is generated by Sirius B’s orbit, and is said like the A in America, uh, in the tone F.
2. The U is generated by Sirius A’s orbital motion, and is said like the u in tune in the tone F#.
3. The M is generated by their combined double-helix linear motion, and is said in the tone G.
The animation below shows the actual orbits and double helical linear pathway of Sirius A and B, and how these motions generate the three sounds and tones of AUM.

Why would God use the F, F#, G, tritone?
AUM is the ultimate fractal information compression system. The F, F#, G, tritone used to say AUM creates an infinity of overtones and undertones.
AUM is the ‘Mandelbrot Set of sound’ that encodes the entire creation. To be more exact, AUM is the transposed sound of the Mandelbrot Set of fractal geometry.
(AUM in the F, F#, G tritone) = (Z=Z squared+C)

The science of Cymatics provides visual proof of the ‘sound equals form’ axiom, so we can now see the vibratory form of AUM.
Hans Jenny’s work in the science of Cymatics (the study of the interrelationship of sound and form) has shown that when AUM is spoken, the pattern of circles and triangles of the Sri Yantra appears in an electron vibration field sensor called a Tonoscope. (See below left).
The very ancient traditional image of the Sri Yantra has always shown the fifty sounds of the Vedic Sanskrit language distributed throughout the diagram of the Sri Yantra. (See above right)
Jenny also discovered that when the individual sounds of the Vedic Sanskrit alphabet are spoken, the written form of the letter appeared in the tonoscope. The sound of the letter is the vibratory form of the letter.
The fifty sounds of the Vedic Sanskrit alphabet are known to have their origin with AUM.
The fifty sounds of this divine alphabet are in fact generated by and radiate from the Sirius system because Sirius A and B go through a fifty year orbit around each other that is divided into fifty segments of sound by fifty eclipses.
The modern languages of Europe are called Indo-European languages because they are ‘daughters’ of Vedic Sanskrit, the ‘Mother Tongue.’
The AUM Symbol and Fractal Geometry
The science of Cymatics has shown that the Sri Yantra is produced by the sound of AUM, but what is the origin of the AUM symbol?
Although the AUM symbol is drawn in many different ways, the correct form and proportions of the AUM symbol are determined by the visual outline that appears in the Sri Yantra.
Locating the AUM symbol in the Sri Yantra is as simple as entering dots on the corners of the triangles that approximate the form of the AUM symbol, and then connecting the dots.
The form and proportions of the AUM symbol that appears in the Sri Yantra, are an exact match for the form and proportions of Sirius A and B at their once every fifty years conjunction.
The form and proportions of the AUM symbol appearing in the Sri Yantra are also the form and proportions of the outline of the Mandlebrot set.
The Mandlebrot Set is the visual representation of the fractal formula Z = Z squared + C. This fractal formula is the origin of the beautiful and infinitely varied imagery of fractal geometry, the geometry of DNA and the natural world.
AUM is the fractal sound formula for the Mandlebrot set, and the infinity of auditory and visual forms generated by the M-Set.
AUM and the Mandlebrot set are fully transposable and represent the true infinity of sound and form (Sanskrit nama and rupa) of the created universe.
AUM = (Z=Z squared + C). AUM in the creative F, F#, G, tritone is what the Mandlebrot set sounds like, and is the sound made by the DNA at cell division (mitosis).
The excellent book on fractal geometry: The Colors of Infinity, includes a copy of this educational and visually inspiring documentary.
It is an astonishing fact that the outline and proportions of the AUM symbol appearing in the Sri Yantra is a perfect match for the outline and proportions of Sirius A and B at their conjunction, the Mandlebrot Set, and the sitting Buddha.

These are scientifically provable connections between the fractal sound formula of AUM, and the fractal visual formula of the Mandelbrot Set that describe the curvilinear forms of the DNA-based creatures of the living world.
In Clarke’s documentary, Dr. Michael Barnsley says of the Mandlebrot Set, “It’s just like the DNA,” and Dr. Ian Stewart says, “Some people actually call it the thumbprint of God.”
Where else does this miraculous tritone appear?
1. Cell division (mitosis): The F, F#, G, tritone of AUM accompanies the miracle of cell division when the DNA creates a new strand of DNA (and checks it for errors).
Cells are sound chambers. All the molecular processes and functions in the cell are controlled by the sound radiated by the DNA. The tritone occurs at mitosis when the DNA creates a copy of itself, and then it just hums along in a G tone until the next replication.
“The F, F#, G tritone is particularly intense briefly before mitosis (cell division) when two nuclei with identical genetic information are formed. Mitosis is only one of many creative microcosmic processes that are accompanied by this sacred tritone.” Nada Brahma: The World is Sound: Music and the Landscape of Consciousness, p. 69
From a single cell, our entire organism grew out by using the F, F#, G, tritone of AUM.
2. Photosynthesis:
“The F, F#, G, tritone forms the key tension in the nitrogen atom during photosynthesis when sunlight is transformed into chlorophyll, into living green. From sunshine grows living matter. The Word made flesh.”
Nada Brahma: The World is Sound: Music and the Landscape of Consciousness, p. 70
The same miraculous tritone that transforms light into living vegetation also accompanies the cellular growth of the creatures that will consume that vegetation. God would keep it simple.

3. Creation: AUM is the fractal sound pattern of the Big Bang.


In the beginning, the mass of the entire creation was contained in one Primal Star. This Star is sometimes referred to as the Singularity.
Even though it contained the mass of the entire cosmos, the Primal Star seemed infinitely small in relation to the boundless space around it. It was the “singularity” of physics.
This Primal Star was undivided awareness and consciousness.
Love was the motivation that caused the first movement within the plasma of the Primordial Star. God is love.
The spinning mass of Sirius B generated the first sound as it moved into its elliptical orbit at the center of the Primal Star. Without movement there is no sound.
This first sound in the creation is the first sound of AUM, the A, and is said like the “a” in America, (uh), in the tone F. This first movement and its sound continue to exist as Sirius B and its elliptical orbit.
The counter-point, counter spin, or counter-flow, of Sirius B’s first orbital movement now exists as Sirius A and its elliptical orbit, and generates the second sound in AUM, the U, said like the “u” in tune, in the tone F#.
The third sound in AUM, the nasalated M in the tone G, is generated by the double helical spiral vortex that slowly extended from the center of the Primal Star to the top and bottom.
This double helix flow form was generated by and tuned to the orbits of Sirius A and B at the center of the Primal Star. (The outline of this primal double helix is still visible in x-ray pictures of the Sirius system, and will soon be posted here).
This primal vortex is historically referred to as the Axis of the Universe, or Hamlet’s Mill, which generated the universe.
As this primal double helix generated by the orbits of Sirius A and Sirius B slowly extended from the center to the top and bottom of the Primal Star, it caused countless smaller vortices to form that would become the galaxies, stars, and planetary systems of the universe.
When the internal vortex motion and the resulting sound generated by AUM and the F, F#, G, tritone reached full resonance, the Primal Star, suddenly expanded into the infinite detail of the created universe, in the event known as the Big Bang.
This double helix form provided the unlimited fractal encodement capability required for the creation of the infinite detail of the cosmos, including planetary biospheres and the DNA-based creatures that occupy them.
AUM is the fractal sound formula for the entire creation. It is the Mandelbrot Set of sound, or to put it more correctly, AUM is the transposed sound of the Mandelbrot Set.
The alchemists called this three part sound (AUM in the F, F#, G, tritone) the “quintessence,” and said that this tritone accompanies all creative processes, including the creation of the universe.
They are correct. AUM is the quintessential creative sound. If it was anything less, it would not qualify as the Word of God that “ordered” the Big Bang.
Please be tolerant of the very basic nature of the following animations, they will soon be improved:

What practical benefit does this information have for me?
Saying AUM correctly in the creative F, F#, G, tritone induces resonance in the soft palate in the roof of our mouth, and transfers this resonance to our pineal gland, which sits directly above the soft palate.
This specific resonance causes our pineal gland to secrete dimethyltryptamine into our blood.
Dimethyltryptamine is a powerful mind-manifesting, visionary, and meditative substance that is metabolized out in 20 to 30 minutes after it enters the blood. A brief but beautiful experience caused by the Word of God.
Our pineal gland is known as our third eye, and is recognized as the connecting point of our physical and spiritual being.
This sound resonance connection between the Word of God and our pineal gland was designed into our DNA by the Creator.
By saying AUM in the F, F#, G, tritone, we are creating the fractal sound formula of our own DNA, and consciously activating our pineal gland (our third eye) using sound resonance. Good plan.

Why Was This Tritone Banned by the Catholic Church?
The miraculous and creative F, F#, G, tritone of AUM is the only sound ever banned by the Catholic Church, who declared it to be diablos en musica, the devil in music.
Because AUM cannot be said correctly without using this tritone, the Catholic Church has in effect banned theWord of God.
When contacted, Catholic Church authorities were unable to explain or offer any reason.
In any case, they do not want us to say the Word of God, and gain access to our third eye and the visionary consciousness that was designed into our being by the Creator.

OHM!!!!!!!CREATION!!!!!!!

The Big Bang: How AUM created the Cosmos

1. How AUM created the fractal sound pattern of the Big Bang and how to say AUM correctly
2. The Sri Yantra, the science of AUM
3. How the fifty sounds of Vedic Sanskrit are produced by AUM and the Sirius System
4. Distribution of the fifty sounds of Vedic on the Chakras of the human body
5. How this sacred visionary language was revealed to mankind

1. How AUM created the fractal sound pattern of the Big Bang

In the beginning, the mass of the entire creation was contained in one Primal Star. This Star is sometimes referred to as the Singularity.
Even though it contained the mass of the entire cosmos, the Primal Star seemed infinitely small in relation to the boundless space around it.
This Primal Star was undivided awareness and consciousness.
Love was the motivation that caused the first movement within the plasma of the Primordial Star. (God is love).
The spinning mass of Sirius B (love spun him out) generated the first sound as it moved into its elliptical orbit at the center of the Primal Star. Without movement there is no sound. Love was God’s motivation.
This first sound in the creation was/is the first sound of AUM, the A, and is said like the a in America, (uh), in the tone F. This first movement and its sound continue to exist as Sirius B and its elliptical orbit.
The counter-point, counter spin, and counter-flow, of Sirius B’s first spinning orbital movement now exists as Sirius A and its elliptical orbit, and generates the second sound in AUM, the U, said like the u in tune, in the tone F#.
The third sound in AUM, the nasalated M, is generated by the double helical spiral vortex that extended from the center of the Primal Star to the top and bottom. This double helix flow form was generated by and tuned to the movements of Sirius A and B at the center of the Primal Star.
This double helix form provided the unlimited fractal encodement capability required for the creation of the infinite detail of the cosmos, including planetary biospheres and the DNA-based creatures that occupy them.
The spinning form of this primal double helix extending from the top to the bottom of the Primal Star caused countless smaller vortices to expand throughout the plasma of the Primal Star that would become the galaxies, stars, and planetary systems of the universe.
When the internal vortex motion and the resulting sound generated by AUM and the F, F#, G, tritone reached full resonance, the Primal Star, suddenly expanded into the infinite detail of the created universe, in the event known as the Big Bang.

2. What has Science been able to prove about AUM?

AUM radiates from the stars Sirius A and B. The Science of Cymatics has proven that the visual form of AUM is the Sri Yantra.
Hans Jenny’s work in the science of Cymatics (the study of the interrelationship of sound and form) has shown that when AUM is spoken, the pattern of circles and triangles of the Sri Yantra appears in sand on a resonator plat, or in an electron vibration field sensor called a Tonoscope. (See below left).
Jenny also discovered that when the sounds of the Vedic Sanskrit alphabet are spoken, the written form of the letter appears. The sound of the letter is the vibratory form of the letter.
Images of the Sri Yantra have always shown the fifty sounds of Vedic Sanskrit distributed throughout the diagram of the Sri Yantra.
The fifty sounds of Vedic Sanskrit do in fact radiate from the Sirius system, as we will see below. The languages of Europe are called Indo-European because they are descendants of this Mother Tongue.

This seemingly fearsome image of Kali shows her with her large red tongue sticking out. This represents the Mother Tongue. Kali’s necklace of skulls is called the garland of letters, and represent the fifty sounds of Vedic Sanskrit. Vedic Sanskrit is a visionary language that allows the listener to see what you mean. People will cooperate if they can see what you mean. Kali is Mother Nature, showing up to stop all wars and the ongoing environmental destruction of the planet. After defeating wrong thinking, she restores the earth back to the peaceful abundant paradise it was designed to be.

3. How does the Sirius System produce the fifty sounds of Vedic Sanscrit?

The Rig Veda confirms that AUM is the source of the fifty sounds of the Vedic Sanskrit language.
Since we know that AUM comes from the Sirius System, and it has been scientifically proven that the Sri Yantra is the visual form of AUM, it is logical that the Sri Yantra would separate and contain the fifty sounds of Vedic Sanskrit. How does this happen?
The orbital periods of Sirius A and B around each other and their common center of mass takes exactly fifty years. The fifty sounds of the Vedic Sanskrit alphabet are created by the division of their fifty year combined orbits into fifty segments of sound that are separated by the annual eclipses of the Sirius system by our Sun. Fifty years, fifty eclipses, fifty segments, fifty sounds.
The Eye God:
The fifty sounds of Vedic are focused into our planetary system by the two heavy planets, Saturn and Jupiter, whose conjunctions create the iris of an eye. AU’s iris. Osiris. He is the Eye God.

The diagram above represents the 60-year conjunctions of Saturn and Jupiter, and takes 2,400 years to complete.

“The Goddess Vac has a thousand syllables containing all possible sounds, which she uses for the creation of the universe. The Rig Veda bases its approach to the creation on the power of sound, and personifies that sound as a Goddess, Vac, the Word (AUM).”

“The power of sound brings forth the material world. The concrete universe is composed of the collective sounds of the letters of the Vedic alphabet.”

Man as Microcosm in Tantric Hinduism, p. 10 and p. 61

The fifty sounds of Vedic Sanskrit are three dimensional fractal sound formulas that can resonate into being all the possible constructs and processes in the creation, nano to astro.
All physical forms are vibrating sound resonance fields, and are contained within the fifty astral sound forms of the Goddess’ language. The Goddess creates the cosmos with these fifty sounds and their combinations.
The annual eclipses of the Sirius system by the Sun are extremely precise. Sirius rises just before the Sun on the morning of June 19th, exactly 365 days, 6 hours, 9 minutes, and 9.54 seconds after its last rising. For most of the history of the planet, its people and nations have started their new year at the moment of the rising of Sirius on the 19th of June.
The fifty sounds of Vedic Sanskrit also appear on the lotus petals of the chakras of the human body, and are the sound patterns that create and maintain our organ systems.

4. Distribution of the fifty sounds of Vedic Sanskrit on the human Chakras

The fifty sounds of Vedic Sanskrit are distributed on the chacras of the human spine. These 50 sounds generate and maintain the organ systems and framework of the human body. Our bodies are the expanded totality of the language of the living word (AUM) that has unfolded by sound resonance into our physical being. The male endocrine system is tuned to the vibrational frequencies of Sirius B’s orbit and helical spiral linar motion. The female endocrine system is tuned to the vibrational frequencies of Sirius A’s orbit and helical spiral linear motion. These vibrational frequencies determine maleness and femaleness in all creatures.

There are twenty inflections (slightly different pronunciations) for each of the fifty sounds of Vedic Sanskrit. These twenty inflections are the twenty aspects the Sirius system passes through between its annual eclipses by the sun. Fifty sounds, multiplied by twenty inflections per sound, produces the thousand sounds that appear on the lotus petals of the Crown Chakra.
The fifty sounds of Vedic are shown as fifty different postures of the Goddess, symbolizing the written forms of the Vedic sounds. AUM, the Sri Yantra, the Goddess, and Her language are one thing.
The covers of these two books of the Goddess’ thousand names, show that when the Goddess is not pictured in her red dress with white spots, it is totally acceptable to picture Her as the Sri Yantra.
The Vedic alphabet starts with A and ends with HA (AHA!). No matter what language a person speaks, when they suddenly see the meaning of something, they will say, AHA, the first and last sounds of Vedic Sanskrit.
This is the universal mind’s way of saying that it has comprehended something from beginning to end (from A to Z), from A to HA. When the mind becomes amused, it just repeats the last sound of Vedic over and over, HA, HA, HA, HA, HA. Therefore, the Vedic word for laughter is HA’S (multiple HA). “There were a lot of HA’S (laughter) at the party.”
The language starts over again (goes from HA to A) when Sirius B passes directly between Sirius A and our solar system once every fifty years. The last transit of Sirius B in front of Sirius A was in 1989, and extremely accurate measurements of the Earth’s daily spin speed in relation to Sirius showed that the Earth’s spin speed slowed down by a full second per day for several weeks before the event, and then increased by a second per day over a period of several weeks after the event, as it returned to normal. This slow-down causes the sound of the A in HA (ah) to quickly again become the flatted A (uh), that is the first sound of the Vedic alphabet.
These fifty sounds of Vedic Sanskrit that continuously radiate from the Sirius system, are the universal Mother Tongue, the visionary language of the hymns of the Rig Veda.
Most linguists are unaware of the existence of an original universal language, or that Vedic Sanskrit is that language.

5. How was this Sacred Visionary Language revealed to Mankind?

The Vedic language and the contents of the Rig Veda, the oldest body of sacred knowledge on the Earth, was revealed to the people of the Himalaya after they had eaten or drunk the juice of a divine plant called Soma.
The discovery of the Rig Veda by Europeans made the identity of the Soma plant become the biggest mystery in botany. The mystery of the Soma plant’s identity became even more compelling in the 1960s when the science of linguistics determined that the languages of Europe are descendants of Vedic Sanskrit. Vedic is the Mother language, the visionary language of the hymns of the Rig Veda, and was revealed by the Soma plant.
This greatest botanical mystery was solved in 1968, with the publication of the book Soma: Divine Mushroom of Immortality, by R. G. Wasson.

From the descriptions of Soma given in the Rig Veda, Wasson determined that the divine Soma plant was Amanita muscaria, a red mushroom with white spots on its cap, that has a far reaching reputation in mythological and religious realms. The descriptions are a perfect match. A red mushroom with white spots can only be described in so many ways, no matter how inspired the poet may be. By reading some of the many descriptions of Soma in the Rig Veda, it is easy to see that the descriptions do in fact fit a red mushroom with white spots. The divine mushroom lives in the roots of the white birch tree in a symbiotic relationship, and the epilogue of Wasson’s book is titled: The Tree of Life and the Marvelous Herb, and describes this special relationship.

The Soma plant is described throughout the Rig Veda, and is identified with the Goddess Herself.
This divine plant contains and reveals the fifty sounds of Vedic Sanskrit, the Mother Language, and the entire contents of the Rig Veda are revealed to the person who consumes this divine mushroom.
The Vedic Sanskrit language, and the contents of the Rig Veda, are encoded in the DNA of the Soma mushroom, and are downloaded to the person who eats (or drinks the juice of) the mushroom.
DNA is a fractal information compression system with unlimited memory capability. Stored information can be downloaded to other DNA.