SRI YANTRA Earth Etching Appears in Oregon Dry Lake Bed

A wonderful mystery! Over the past two decades there has been much speculation about the origin of the 1990 Sri Yantra earth scraping that appeared in a remote dry lake bed in Oregon, near the Idaho border. Nearly as soon as the discovery was made tales of illuminated objects--spheres of light, made headlines along with claims by individuals asserting to have made the design. 

Might it ALL be connected?

Among the related phenomenon called, cropcircle,it is well noted by researchers that the appearances of light phenomena is often repeatedly sighted in the same fields where both natuaral and man-made formations have been created. Might this phenomena also have played a role in the Sri Yantra earth etching? What motivating stimulus inspired the builders to select the site, and pattern? History has shown that one need not be aware of the phenomena in order to be deeply interacting with it. 

The Discovery 

A very large, perfectly formed, ancient Hindu mandala called the Sri Yantra was discovered inscribed into the dry lake bed by an Air National Guard pilot on a normal training run from a base near Boise, Idaho. This symbol was over a quarter of a mile in length, and consisted of over 13 miles of lines etched into the impacted mud 3”-10” deep. No human or tire tracks were found anywhere near the site. A group of 5 artists from Iowa claimed responsibility for the symbol's appearance saying they carved the entire design with a garden cultivator during a nine-day period. No other pilots or anyone else reported seeing the design at any stage of construction. 

"Analysis of the formation’s line indicated that the soil had been removed, whereas the artists’ garden cultivator / plow method produced small mounds of dirt on either side of their demonstration lines left from where they plowed," according to ICCRA. 

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Stranger Yet 

Two researchers, Don Newman and Alan Decker visited the site on September 15, 1990, and reported the symbol as being furrowed into the dry lake bed about 3" deep, noting that the area was noticeably missing any signs of tire tracks or foot prints even though their own tire tracks left 1/4" deep marks on the crusty surface of the dry lake bed. After further investigation their colleague, Jim Deardorff, wrote the story for UFO Magazine. 

A little over a year later, Deardorff learned from Jennifer Brown-Jacobs, who at the time had been head of the Portland UFO Group, that two men had a UFO sighting in the area during this same period. They'd been camping with a sail-plane group at the western edge of the Alvord Desert near that dry lake bed. Their sighting took place the evening of July 5 or 6th around 10 pm. They reported seeing an array of three bright lights, the color of sodium-vapor lamps, forming an equilateral triangular with the apex facing upwards to the northeast. The array occupied about three degrees width and lasted ten minutes. 

They didn't think much of it at the time and when they looked that way again 20 minutes later the lights were gone. However, they noticed a strange small puffy cloud where the lights had been. Extending from the cloud were two straight appendages positioned at 2:30 and 8:30 respectively at 12 degrees overall. They estimated its location as eight miles away and 15 degrees above the horizon. This placed it directly over the dry lake bed. They watched the stationary cloud for about an hour. Due to the eyewitness accounts, the sighting was classified as an unidentified, and was later associated with the Sri Yantra earth scraping. After the story broke, a group of artists claimed they had created the Sri Yantra. 

Speculation continued after reviewing all the evidence of this case and researcheres wondered at the improbability of a group of older, well dressed men from another state, would go to such great lengths to convince the public that they were responsible for the design. 

What Others Are Saying . . .

"For some time this event was treated with the head scratching bewilderment that accompanies crop formations. On the ground investigations revealed no tell tale signs of vehicles or human intervention. Word spread fast that it was an extra terrestrial event. People were intrigued and fascinated but got stuck on the how? and the wow? The event was debated for some time and then rumour spread that a man named Bill Witerspoon had created it as a work of art...this is where the story starts getting really interesting. Witerspoon said that he and a group of friends chose the site for its beauty and remoteness. The design was made without modern machines or tools. They used a handplough and the ancient principles of geometry alone. They took ten days to complete the design and entered and left the site on foot in order to keep the area vibrationally pure.

The Sri Yantra as you can see is drawn from nine triangles, four pointing downwards and five pointing upwards, forming 42 triangular fragments around a central triangle. There is probably no other set of triangles which interlock with such integrational perfection. This is why the design is the most revered of tantric diagrams.

As soon as they had finished the design the weather in the valley changed and a rainstorm hit the parched valley. Bill Witherspoon spent the following couple of years monitoring the changes in the formation. There was an increased feeling of harmony in the area and two years later, with the lines almost gone, the structure of the soil had changed. The overall result was increased rainfall and more organic matter. He claims there is an inverse correlation between the lines disappearing and an increase in the enlivened laws of nature (parallel to the increased dilution imparting increasing levels of strength in homeopathy). This I believe could have some mysterious correlation with the power of reciprocals but I’ll leave someone more scientific to pick up on that idea.

It would appear that Gaia expresses herself fully when consciousness is connected. In the vibrant and responsive link between Nature and the Human is a conversation of vibrations. A couple of years after the formation of the Sri Yantra a geyser spring appeared 12 miles away. The only natural geyser spring in Oregon! For 4 months it spouted 210 feet into the air. Could the presence of geometric form, which after all is at the foundation of life and the interface between different phases of matter, be Nature’s way of ensuring plenty?

Bill Witerspoon is convinced that the intelligence lies within the geometry in some deep and mysterious way. The geometry is but the visible form of the invisible and powerful energy form. The Sri Yantra is the physical magnet to draw blessings from the mystery. It is a pity and an irony that the creativity of the artist was rewarded with a large fine for desecrating the land…" - Allie Allbright 


Blogger, Robert Zwemmer, writes, "I was involved with Osho Rajneesh for ten years in the 80s, who lived in Oregon for four years, from 1981 to 1985. I believe the Sri Yantra appeared in honor of Osho for several reasons. One is that he died seven months earlier and left the US 57 months earlier. Note that 57 can be analysed as 3 ( 5+7=12=3 ), and it seems the Overworld again and again seem to use these two numbers ( 3 and 7 ) as ‘marks’ ( together with 12 ), as if to say ‘we were here’, and/or : ‘we exist’ ." 

"It has been noted that certain geometric structures enliven and amplify specific laws or forces of Nature.  When these laws or forces of Nature become stronger, they consistently influence the total environment, including human physiology and consciousness." 

Sri Yantra Symbology, see Dee Finey's Great Dreams.


The Sri Yantra is a sacred geometry that orginated in India 
It is composed of 9 interlocked triangles 
It is very difficult to draw without errors at the intersections 
There a many variations of the Sri Yantra 
There are many different methods to draw it 
Nobody seems to know what the original configuration is 
There are three main forms of the Sri Yantra: Plane, pyramidal, spherical 
More . . .


Sri Yantra and Crop Formations 

Crop circles are geometric patterns that suddenly appear in fields during the night. Some believe that crop circles may be created by acoustic vibration and are believed to be messages from higher intelligences. The geometric shapes are often considered frequency gates. See our related article on the 16-rayed Star Petroglyph in Machu Picchu with similar geometry to the Sri Yantra and based on 16-fold hypercube tesseract physics. 

Yantra

Yantras are expressions of the Deity in geometrical form. Among Shakti worship, the Sri-Yantra is considered the holiest and the most significant of these. 



A Yantra is an instrument, or a talisman or a mystical diagram usually in silver or copper. It is also drawn or illustrated sometimes on a special paper using various colors and symbols pertaining to the method of the Yantra to be made. It is a technique or path, considered the simplest and shortest, through which one can attain one's desires, and fulfill one's wishes. It is said that the 'Devas' (Gods) or Deities (Goddess) reside in the Yantras and by performing 'Puja' or worship of Yantras, one can appease the Deities, remove the malefic effects of planets, and increase the flow of positive influences. 

Just as each planet has a mantra, a special sound energy, each planet also possesses a yantra or special energy pattern. The Yantra is a special geometric design, the visible form, the energy body of the mantra, and the planet to which it corresponds. Sometimes Yantras supplement the power of mantras, and are as strong as the mantras themselves. If a mantra is the invisible driving force, the yantra is the visible means to gain power and wealth and ward off evil and illnesses, nullify the ill effects of planets, and bring good fortune. They are said to enhance your capabilities and bless one with material comfort and spiritual benefit. 

The elements of Yantra: 

According to Vedic philosophy the natural elements produce different effects in the Yantra when energized through worship and meditation. 

The five elements in this universe are: Earth, Water, Fire, Air, Ether (Akash). To energize a Yantra sit on the ground in an open space, where you can have a clear vision of the sky, holding the image in your minds eye. 

The Sri Yantra is composed of a square on the outside with four projections forming a T-shape structure, circles, a row of Lotus petals, and triangular forms inside the Lotus petals. Sometimes there are two triangles overlapping each other, making a six pointed star; sometimes many triangles are superimposed on each other in a pyramid form; and inside all these geometrical forms is a point or a sound. 

The Point (Bindu): 

A point, called Bindu in Tantra, holds a very significant position in the Yantra and is the center of the geometrical structure. The point signifies unity, the origin, and the principle of manifestation and release of the supreme consciousness. The point has great metaphysical significance and is the point of the union between the aspirant and divine. It gives to invisible form a substance, and manifests the invisible enabling the aspirant means to connect with the divine. 

The Circle: 

A circle is the expansion of a point. The point is the most condensed form of energy, and a circle is its extension. With the radius of desire, this point draws a circumference around itself and it expands. This expansion is growth in dimension, which broadens the scope of a point, yet it also imprisons the point as an individual unit, creating individual consciousness out of cosmic consciousness. Thus, you can connect your individual desires to the cosmic consciousness by concentrating on the circle during the energizing worship. 

The Triangle: 

A triangle, composed of three lines, is needed to make a pattern or form. A horizontal line representing inactivity and stability forms the base of the triangle. The two vertical lines meeting at a point on the box of the horizontal line represents the principle of movement: transition from static to dynamic. A triangle pointing upwards draws the attention up and away from the world. It represents the male energy or the Yang forces. A triangle pointing downwards takes the attention down and represents the female energy or the Yin forces. Equilateral triangles represent balance or harmony between the Yang and Yin forces. As our desires take shape or form, we do not loose our balance. 

The Square: 

A square is made of four lines, two of which are vertical lines representing movement and two are horizontal lines representing stability. Together it creates a balance. Thus the confined space inside the square represents our materialistic need in life, stability, solidity and contentment. 

Lotus Petals: 

A Lotus represents the 5 natural elements of the universe; Earth, Fire, Water, Air and Ether in its purest form. The lotus petals in a Yantra usually appear in a circle, which itself is inside a square. These lotus petals are known as the lunar mansion or Chandra (Moon) Mandal and the circle outside is known as the Solar Mansion or the Surya (Sun) Mandala. 

The Surya Mandal is portrayed by 12 lotus petals. This represents the twelve signs of the zodiac that the Sun will move through during the year. 

The Lunar mansion is shown with sixteen petals. The Moon has 16 phases or 16 kalas during its cycle from new moon to full moon. 

If the petals do not represent either solar or lunar mansions in the Yantra, then it refers to the manifested reality; which is eight fold. This eight fold manifested energy is the phenomenal world consists of fire elements of Universe. Earth, Fire, Water, Air and Ether together with mind, intellect and ego. A Lotus represents these elements in its pure form. 

Concentric Circles: 

Finally, the concentric circles around or inside a triangle represent the three Gunas. These are the three primal qualities of nature called "SATWA", "RAJAS" and "TAMAS". 

"SATWA", is the highest quality and is the nature of light, lightness, clarity, harmony, balance and intelligence. It is the divine quality that brings about the upward movement of the soul. It creates peace, love, and faith and brings the person into the spiritual life. 

"RAJAS" is the intermediate quality and is the nature of energy, action, turbulence, distraction, disturbance, violence and passion. It is the demonic quality and keeps the soul in the middle worlds. It creates aggression, competition and drives the person to seek worldly acquisition and achievement as the main goal in life. 

"TAMAS" is the lower quality and is the nature of inertia and darkness. It is the animal quality that keeps the soul bound in the lower and unconscious realm. 

Each of these three qualities is necessary in nature. "TAMAS" give stability as in the roles of the Earth and the physical body. '"RAJAS" give energy, drive and desire as in the atmosphere and the vital body. "SATWA'" gives light as in the place of heaven and mind. The insertion of concentric circle in the Yantra creates the right mix of "'SATWA", "RAJAS" and "TAMAS" in a person. 

The Sri Yantra consists of a series of nine triangles superimposed around a small central circle known as Bindu, forming forty-three Konas (or triangular projections). Four of them called Srikanthas (or the shiva triangles), having their apex upwards. The other five are superimposed upon the former with apex dowards. They are the five shiva-yuvatis (or shakti-triangles). 

The Bindu, represents shiva-shakti in union in the casual state from which all the other parts of the diagram, representing the cosmos, are evolved. These are surrounded by two circles of lotuses, one with eight petals (Vasudalam) and the other with sixteen petals (Kalasram). The whole mandala of 16 petals is called 'Fulfiller of Desire'. The the red devi is Tripureshi, her vidya is Aim Klim Sauh. She is described as ornamented with all gems, carrying a book and a rosary. The 16 yoginis are associated with the attainment of desires by the cultivation or strengthening of power over mind, ego, sound, touch, sight, taste, smell, intellect, steadiness, memory, name, growth, etheric body, revivification, and physical body. Outside these, are three circles (mekhalatraya) around and a rectangular enclosure (Bhupura) of three lines for the whole figure, with four entrances on the four sides. 



Sri Yantra An Ancient Divine Symbol of Sound 
by Christina Sarich 

The Sri Yantra is a series of interlocking triangles with a perfect ratio of 3.14 or the divine number, Pi. It is thought that this ancient symbol was not intellectually constructed, but that it came to a yogi in deep meditation as a representation of the primordial sound, Aum. This symbol, along with sounds like Aum have incredible healing powers if you just know how to use them correctly. 

The Sri Yantra is an age old symbol – with an approximate origination date of over 5000 years ago – which is meant to heal our minds and hearts. If you know anything about energy healing or healing with sound, then you realize the importance of tuning into a particular vibratory rate in order to elevate the mind and body from its lower, less ideal states, such as those of sickness and depression. You need not suffer from these states of mind. They are illusions of the first class, and many of us have had them for so long that we forget that our natural state is one of joy, vibrant health and, bliss, even. 

The Sri Yantra is a collection of 16 interlacing triangles around a bindu – which is a point of focus for the mind. Bindu literally means ‘point’ or ‘dot’ in the Sanskrit language. If you are using this as a meditation tool, the center point aims at bringing your awareness to a more and more singular point. If you are using the Sri Yantra as a point of contemplation, then you can imagine that the cascade of triangles within the lotus flower is at once a macrocosm and microcosm of the world you live in, with your perception as it is now. While some see Maya as the destructive display of illusion, or the separation of the Divine Mind from the egoic mind, more accurately, it is simple the creative nature of Creation trying to experience Itself. While Maya may keep the veils of true Divine experience out of our current perspective, it also offers a myriad of ways to get back to the Oneness, our true nature, as evidenced by the interlocking triangles in perfect distance from each subsequent set of triangles based on a Pi ratio. . .the creative play of Maya! 

There are other places that this ratio exists. It is in nature, for example, and quite prolifically displayed. It is in nautilus shells, in the formation of leaves and petals of innumerable plants. The divine ratio shows up in ocean wave patterns, and you guessed it, sount Divine sound oscillates at perfect ratios for our optimum health and recent studies in DNA prove that divine sound can even change our DNA. 

This new scientific study takes sound therapy out of the New Age pigeon hole it has been stuck in and brings it into mainstream science. The way scientists were able to change DNA was by using particular frequencies of sound, which are essentially energetic patterns, which then encode the DNA much like a computer programmer dictates how a software will work on your computer by creating a syntax which it recognizes. In fact, the team led by molecular biologist,Pjotr Garjajev, found that DNA responds to sound in the same way langauge is formed, and even has its own grammar rules! Apparently, our ‘junk’ DNA is actually highly programmable utilizing the right frequencies, such that illness can be healed and even super-human skills like clairvoyance, clairaudience and intense intuition can be programmed right into the molecular structure of human beings. 

Linguists even looked at the probability of Garjajev’s research being swayed by his own bias, and they found that there is no statistical way that our DNA is not orderly in its ‘language’ since repeated ‘words’ show up just like in any other language – ones that get used more often, and others which rarely show up to convey an idea. If, in fact, junk DNA holds the keys to opening our true gifts, then it can surely be utilized with sound frequency, to heal us. 

The Primordial Sound of Aum 

When we pair these findings with the work of Dr. Emoto Masaru (of What the Bleep Do We Know, fame) and countless other energy healers that have come forth with their findings in recent years, then we can see why sound, i.e., the primordial sound, Aum, was so important to ancient yogis. If our Wholeness is contained in a singular point, but can expand to include all there is, then the focus on that one point, vibrationally, should heal all that is out of whack, by nature of aligning it with its true nature. Some esoteric teachings go as far as to say that the Sri Yantra is the holder of an ancient holographic wisdom and healing science akin to that of crystalline structures, like quartz. Others say it contains information about the electromagnetic alignment of our poles to the earth’s ley lines. The Sri Yantra is, for certain, a visual representation of primordial knowledge, and sound is its carry signal. 

REALITY OF RAMYANA 2

LINK TO PART 1- CLICK

Numerous evidence of Pre-Historic Nuclear War exists

“Then the Lord rained down fire and tar from heaven upon Sodom and Gomorrah, and utterly destroyed them….” Genesis 19:24.

My previous article in The Canadian , in which I reflected upon my book Worlds Before Our Own, provoked dozens of inquiries from readers. Some stated that one of the cable channels -- some thought it was the History Channel; others, Discovery; still others, National Geographic -- had presented “proof” that the “fused green glass” to be found in various areas had been created by meteoric air blasts rather than prehistoric nuclear wars.

I remain open to many theories of Earth‘s prehistory. One of those individuals prompted to write to me, who had the advantage of having actually read Worlds Before Our Own, stated that I present “in a clear and lucid style, information concerning anomalous archeological finds without the hyperbole usually associated with this type of material.”

While patches of “fused green glass” may in certain instances have been caused by air blasts from meteors, I wonder if such a natural phenomenon could have created all twenty-eight fields of blackened and shattered stones that cover as many as 7000 miles each in western Arabia. The stones are densely grouped, as if they might be the remains of cities, sharp-edged, and burned black. Experts have decreed that they are not volcanic in origin, but appear to date from the period when Arabia was thought to be a lush and fruitful land that suddenly became scorched into an instant desert.

What we know today as the Sahara Desert was once a tropical region of heavy vegetation, abundant rainfall, and several large rivers. Scientists have discovered areas of the desert in which soils which once knew the cultivated influence of plow and farmer are now covered by a thin layer of sand. Researchers have also found an enormous reservoir of water below the parched desert area. The source of such a large deposit of water could only have been the heavy rains from the period of time before a fiery devastation consumed the lush vegetation of the area.

On December 25, 2007, it was confirmed by a French scientist that excavations at the area of Khamis Bani Sa’ad in Tehema district of Hodeidah province have yielded over a thousand rare archaeological pieces dating back to 300,000 B.C.E. Before a dramatic climate change, the inhabitants at that time had been fishermen and had domesticated a number of animals no longer to be found in the region, including a species of horse currently found only in Middle Asia.

The Red Chinese have conducted atomic tests near Lob Nor Lake in the Gobi Desert, which have left large patches of the area covered with vitreous sand. But the Gobi has a number of other areas of glassy sand which have been known for thousands of years.

Albion W. Hart, one of the first engineers to graduate from Massachusetts Institute of Technology, was assigned a project in the interior of Africa. While he and his men were traveling to an almost inaccessible region, they had first to cross a great expanse of desert. At the time, he was puzzled and quite unable to explain a large area of greenish glass which covered the sands as far as he could see.

"Later on during his life," wrote Margarethe Casson in Rocks and Minerals (No. 396, 1972), "he passed by the White Sands area after the first atomic explosion there, and he recognized the same type of silica fusion which he had seen fifty years earlier in the African desert."

In 1947, in the Euphrates valley of southern Iraq, where certain traditions place the Garden of Eden and where the ancient inhabitants of Sumer encountered the man-god Ea, exploratory digging unearthed a layer of fused, green glass. Archaeologists could not restrain themselves from noting the resemblance that the several-thousand-year-old fused glass bore to the desert floor at White Sands, New Mexico, after the first nuclear blasts in modem times had melted sand and rock.

In the United States, the Mohave Desert has large circular or polygonal areas that are coated with a hard substance very much like opaque glass.

While exploring Death Valley in 1850, William Walker claimed to have come upon the ruins of an ancient city. An end of the large building within the rubble had had its stones melted and vitrified.

Walker went on to state that the entire region between the Gila and St. John rivers was spotted with ruins. In each of the ancient settlements he had found evidence that they had been burned out by fire intense enough to have liquefied rock. Paving blocks and stone houses had been split with huge cracks, as if seared by some gigantic cleaver of fire.

Perhaps even more than the large areas of fused green glass, I am intrigued by the evidence of vitrified cities and forts, such as those discovered by Walker.

There are ancient hill forts and towers in Scotland, Ireland, and England in which the stoneworks have become calcined because of the great heat that had been applied. There is no way that lightning could have caused such effects.

Other hill forts from the Lofoten Islands off northern Norway to the Canary Islands off northwest Africa have become “fused forts.” Erich A. von Fange comments that the “piled boulders of their circular walls have been turned to glass… by some intense heat.”

Catal Huyukin in north-central Turkey, thought to be one of the oldest cities in the world, appears, according to archaeological evidence, to have been fully civilized and then, suddenly, to have died out. Archaeologists were astonished to find thick layers of burned brick at one of the levels, called VIa. The blocks had been fused together by such intense heat that the effects had penetrated to a depth more than a meter below the level of the floors, where it carbonized the earth, the skeletal remains of the dead, and the burial gifts that had been interred with them. All bacterial decay had been halted by the tremendous heat.

When a large ziggurat in Babylonia was excavated, it presented the appearance of having been struck by a terrible fire that had split it down to its foundation. In other parts of the ruins, large sections of brickwork had been scorched into a vitrified state. Several masses of brickwork had been rendered into a completely molten state. Even large boulders found near the ruins had been vitrified.

The royal buildings at the north Syrian site known as Alalakh or Atchana had been so completely burned that the very core of the thick walls were filled with bright red, crumbling mud-bricks. The mud and lime wall plaster had been vitrified, and basalt wall slabs had, in some areas, actually melted.

Between India's Ganges River and the Rajmahal Hills are scorched ruins which contain large masses of stone that have been fused and hollowed. Certain travelers who have ventured to the heart of the Indian forests have reported ruins of cities in which the walls have become huge slabs of crystal, due to some intense heat.

The ruins of the Seven Cities, located near the equator in the Province of Piaui, Brazil, appear to be the scene of a monstrous chaos. Since no geological explanation has yet been construed to fit the evidence before the archaeologists, certain of those who have investigated the site have said that the manner in which the stones have been dried out, destroyed, and melted provokes images of Sodom and Gomorrah.

French researchers discovered the evidence of prehistoric spontaneous nuclear reaction at the Oklo mine, Pierrelatte, in Gabon, Africa. Scientists found that the ore of this mine contained abnormally low proportions of U235 such as found only in depleted uranium fuel taken from atomic reactors. According to those who examined the mine, the ore also contained four rare elements in forms similar to those found in depleted uranium.

Although the modern world did not experience atomic power until the 1940s, there is an astonishing amount of evidence that nuclear effects may have occurred in prehistoric times leaving behind sand melted into glass in certain desert areas, hill forts with vitrified portions of stone walls, of the remains of ancient cities that had been destroyed by what appeared to have been extreme heat-far beyond that which could have been scorched by the torches of primitive armies. In each instance, the trained and experienced archaeologists who encountered such anomalous finds have stressed the point that none of these catastrophes had been caused by volcanoes, by lightning, by crashing comets, or by conflagrations set by humankind.

	Sinai peninsular area of apparent nuclear war activity.

Zecharia Sitchin (1985) devotes an entire chapter to a discussion of nuclear warfare in ancient times in Mesopotamia and the Sinai peninsula. In this book he also suggests the destruction of the Sinai “space facilities” by nuclear weapons. He offers as evidence:

“…the immense cavity in the center of the Sinai and the resulting fracture lines (see figure), the vast surrounding flat area covered with blackened stones, traces of radiation south of the Dead Sea, the new extent and shape of the Dead Sea – is still there, four thousand years later”.

source:http://www.agoracosmopolitan.com

REALITY OF EXISTENCE OF LORD KRISHNA /DWARIKA-PART 2

LINK TO PART 1- 32000 year old DWARIKA

Dwaraka - A LOST CITY RECOVERED - Dwaraka was a western Indian city submerged by the sea right after the death of Sri Krishna. This was regarded as a grandiose metaphor, part of a story filled with great myths. But in the early eighties an important archaeological site was found at the site of the legendary city of Lord Krishna. Situated in Saurashtra, at a point where the Gomti river meets the Arabian sea, it has acquired multifarious names down the ages: Dwaraka, the gateway to eternal happiness; Swarnapuri, the city of gold, Swarnadwarika, the golden gateway. Why is that the rediscovery of Dwaraka has not attracted the same degree of attention in the West, as that of ancient Troy by Heinrich Schliemann? Literary texts like the Mahabharata, Harivamsha and Purana contain traditions about the foundation of Dwaraka, its planning and glory. Before the legendary city of Dwaraka was discovered some scholars were of the view that the Mahabharata being only a myth it would be futile to look for the remains of Dwaraka and that too in the sea. Others held that the Kurukshetra battle was a family feud exaggerated into a war. Excavations done by Dr. S.R. Rao at Dwaraka prove that the descriptions as found in these texts are not to be discarded as fanciful but are to be treated as based on actualities as seen by their authors. The architecture of the old Dwaraka of Krishna is majestic and wonderful. The great poet Premanand has in his Sudamacarit described its splendid beauty and majesty. Dwaraka is mentioned as Golden City in Mahabharata, Skanda Purana, Vishnu Purana and Harivamsha. Interesting descriptions about its construction are found in Purana. «Fearing attack from Jarasangh and Kalayvan on Mathura, Sri Krishna and Yadavas left Mathura and arrived at the coast of Saurashtra. They decided to build their capital in the coastal region and invoke the Vishwakarma, the deity of construction. However, Vishwakarma says that the task can be completed only if Samudradeva, the Lord of the sea provided some land. Sri Krishna worshipped Samudradeva, who was pleased and gave them land measuring 12 yojans and the divine architect Vishwakarma build Dwaraka, a city in gold». Another story says that at the time of the death of Sri Krishna, who was hit by the arrow of a hunter near Somnath at Bhalka Tirth, Dwaraka disappeared in the sea. The information and material secured through underwater excavation of Dwaraka corroborates with the references to the city of Dwaraka, made in various Sanskrit literary works. In Mahabharata, there is a specific account about the submerging of Dwaraka by the sea, which reads thus: «The sea, which had been beating against the shores, suddenly broke the boundary that was imposed on it by nature. The sea rushed into the city. It coursed through the streets of the beautiful city. The sea covered up everything in the city. Even as they were all looking, Arjuna saw the beautiful buildings becoming submerged one by one. Arjuna took a last look at the mansion of Krishna. It was soon covered by the sea. In a matter of a few moments it was all over. The sea had now become as placid as a lake. There was no trace of the beautiful city which had been the favourite haunt of all the Pandavas. Dwaraka was just a name; just a memory». The importance of the discovery of Dwaraka lies not merely in providing archaeological evidence needed for corroborating the traditional account of the submergence of Dwaraka but also indirectly fixing the date of the Mahabharata which is a landmark in Indian history. The Thermoluminiscence date of the pottery from Bet Dwaraka which is also connected with the Krishna legend is 3520 years Before Present. Identical pottery is found in the submerged city of Dwaraka. Thus the results have proved that the account in Mahabharata as to the existence of a beautiful capital city of Dwaraka of Sri Krishna was not a mere figment of imagination but it did exist. Besides the sea-ports, there were renowned cities which were washed away by the rivers on whose banks they were situated. We may cite here the case of Hastinapura and Pataliputra, situated on the bank of the river Ganga and falling victims to flood-fury. The Mahabharata mentions that Hastinapura was washed away by the Ganga and consequently the Pandavas had to migrate to Kaudambi. Pataliputra which was the premier city of the land (agranagara) and the test of the excellence of all the cities in the words of Dandin, the author of the Dashakumaracarita, later became the worst victim of inundation. The submerged parts of these cities are to be treated as protected monuments and great treasures of the ancient heritage of India. If Dwaraka excavations throw a flood of light on the history of the city which was associated with the life events of Krishna, the underwater excavations of Ayodhya situated on the bank of the river Sarayu might yield valuable information about the historicity of Rama, his age and contemporary urban status. Since 1983 the Marine Archaeology Unit of the National Institute of Oceanography is engaged in the offshore exploration and excavation of the legendary city of Dwaraka in the coastal waters of Dwaraka in Gujarat. Brief accounts of the findings of the underwater search for the lost city have appeared in 1987, Progress and Prospects of Marine Archaeology in India, and in 1988, Marine Archaeology of Indian Ocean Countries. A brief account of the discovery of the submerged city of Dwaraka of Mahabarata fame and the salient features of the structures exposed as a result of underwater excavation conducted at Dwaraka and Bet Dwaraka by the Marine Archaeology Unit of the National Institute of Oceanography under the direction of Dr. S.R. Rao from 1983 to 1987 appeared in 1988 (40 years of Research - A CSIR Overview). Offshore exploration of the legendary city at Dwaraka was resumed in 1988 and continued through 1990 (see the Journal of Marine Archaeology, 1990), further seaward of the Temple of Samudranardyana (Sea God) at Dwaraka with a view to trace the plan and extent of the port-city and the purpose of the massive stone walls built on the banks of ancient Gomati. It was also necessary to ascertain whether its architectural features were in conformation with the description of the city of Dwaraka given in the epic Mahabharata. A second object was to obtain more corroborative evidence for reclamation referred to in the epic. Thirdly, the nick point where the ancient Gomati river joined the sea had to be determined. Lastly, the cause of submergence of the city was another problem that needed further investigation. Dwaraka was a city-state extending upto Bet Dwaraka (Sankhodhara) in the north and Okhamadhi in the south. Eastward it extended upto Pindara. The 30 to 40 meter-high hill on the eastern flank of Sankhodhara may be the Raivataka referred to in the Mahabharata. The general layout of the city of Dwaraka described in ancient texts agrees with that of the submerged city discovered. Four enclosures are laid bare; each one had one or two gateways. The port Aramda on way to Bet Dwaraka was the first gateway in the outer fortifications. The bastions flanking gateways of submerged Dwaraka resemble those of Kusinagara and Sravasti carved on the Gateways of Sanchi Stupa. The prasada referred to in the epic must be the high fort walls of Dwaraka, a part of which is extant. The epic says that flags were flying in the city of Dwaraka. This can be corroborated by the stone bases of flag posts found in the sea bed excavation. Umashankar Joshi is of the view that antardvipa in the region of Kugasthali referred to in the Mahabharata must be Bet Dwaraka. The Bhagavata Purana says that before leaving his mortal frame Sri Krishna put the ladies and children in boats and sent them to Sankhodhara. The buildings built of smaller fraction stone blocks are razed to the ground leaving only small portions of the thick fort walls, bastions and protection walls (built with massive stones) which are too heavy to be moved by tides and currents. From the structural remains in Dwaraka and Bet Dwaraka waters, it is possible to visualise that the city-ports were large and well planned. Every significant antiquity that corroborates a statement of the Harivamsa is the seal bearing the motif of a three-headed animal representing the bull, unicorn and goat. The Harivamsha says that every citizen of Dwaraka had to carry a mudra as a mark of identifications The seal (mudra) found in the excavation belongs to 15th-16th century B.C. Nearly two decades after marine archeologists found the lost city of Dwaraka off the coast of Gujarat the state government continues to drag its feet on a proposal to establish the world's first underwater museum to view the remains of the city submerged in the Arabian Sea. The proposal for the museum, submitted by the Marine Archeology Center of the National Institute of Oceanography in Goa, involves laying a submarine acrylic tube through which visitors can view through glass windows the ruins of the city said to have been be ruled by Sri Krishna, 3500 years ago. Discovered in 1981, the well-fortified township of Dwaraka extended more than half a mile from the shore and was built in six sectors along the banks of a river before it became submerged. The findings are of immense cultural importance to India. «The search for the lost city has been going on since 1930» — S.R. Rao, who is still actively involved in the excavations, told India Abroad. «It is only after marine archaeologists started exploring the sea-bed near modem Dwaraka from 1981 that the structural remains of the city were found». Rao said that if a fraction of the funds spent on land archeology were made available for underwater archaeology, more light could be thrown on Dwaraka, which had much archeological significance because it was built during the second urbanization that occurred in India after the Indus Valley civilization in northwestern India. Dwaraka’s existence disproves the belief held by Western archeologists that there was no urbanization in the Indian subcontinent from the period between 1700 BC. (Indus Valley) and 550 BC. (advent of Buddhism). As no information was available about that period, they had labeled it the Dark Period. «The findings in Dwaraka and archeological evidence found compatible with the Mahabharata tradition remove the lingering doubt about the historicity of the great epic. We would say Krishna definitely existed», said Rao. What is needed, he added, is the political will to reconstruct the cultural history of the Vedic and epic periods of northern India. Over 200 experts from 84 countries, who gathered under the aegis of UNESCO in Paris recently to examine a draft convention on the issue, unanimously agreed that underwater cultural heritage was in urgent need of protection from destruction and pillaging. In Dwaraka, Krishna is supposed to have built a mighty kingdom on a site selected for him by Vishnu’s learned ‘vahan’, Garud. The city he built is supposed to have extended over 104 kms. It was well fortified and surrounded by a moat, spanned by bridges, which were removed in the event of attack by an enemy. Archaeological excavations have unearthed artifacts that prove that modern Dwaraka is the sixth settlement of the name on this site. The earlier cities have been, at various times, swallowed by the sea. The waves of the sea still lap the shores of this famous town, lending scenic beauty to this important pilgrimage destination. The Dwarkadhish temple, dedicated to Sri Krishna, is the focal point of all pilgrimages. Parts of it date from the 12th-13th century and others from the 16th, but the Jag Mandir, its sanctum sanctorum, is supposed to be 2,500 years old. The hall in front is richly carved and supported by 60 massive pillars, each one hewn out of a single stone slab. Many of the sculptures date from the Maurya, Gupta and Chalukya periods. Some of the subjects are of Jaina and Buddhist origin. The temple is 157 feet high. Another important pilgrimage site in the ancient city of Dwarka is Gomti ghat. The myth attached to the original temple says that it was built overnight at the instructions of Vajranabh, the great-grandson of Krishna, by the divine craftsman Vishvakarma. Archaeologists are undecided about the date of construction of the temple that exists now, but it is generally believed that it was rebuilt in the 10th or 11th century AD after the original temple was destroyed, probably during the Muslim invasions. Most of the temples and pilgrimage spots around Dwaraka are associated with Krishna and the Vaishnavite tradition. However, the temple of Somnath, which is not very far from this place, is dedicated to Shiva as Nagnath or Nageshwar Mahadev, and enshrines one of the twelve ‘Jyotirlinga’ which according to the Purana manifested themselves as columns of light in different parts of the country. The magnificent temple that stands there now is a replica of the original temple. An archaeological site, dating back to 7500 BC and older than hitherto oldest known human civilisations including those found in the Valley of Sumer, Harappa and Egypt, was discovered by a team of Indian marine archaeologists in the Gulf of Cambay off Gujarat coast. «For India, it was the first time that such an important discovery was reported from near Dwaraka site, the off-shore region where underwater archeological exploration was in progress», Union Minister for Science and Technology Murli Manohar Joshi said at a crowded Press conference. «Further investigation of this area was important as it might throw some light on the development of human civilisation, besides having a bearing on the Indian history», concluded Dr. Joshi. In order to establish without any doubt wheter or not the ruins on the seabed are effectively of the city of Dwarka, a group of archaeological experts and Indian Navy divers are conducting a scientific survey off the Gujarat coast. «We found building blocks and collected samples. These have been sent for dating to establish the antiquity of the site,» Alok Tripathi of the Archaeological Survey of India (ASI) told, who is the ASI’s only marine archaeologist. A 21-member team conducted the survey in January-February 2007. It comprised 10 specialists from the ASI and 11 divers of the Indian Navy. «While the ASI has the requisite data and archaeological expertise, the Indian Navy has the necessary wherewithal and expertise for subsurface search, exploration and recovery of artefacts,» Rear Admiral, S.P.S. Cheema, assistant chief of naval staff, explained. «Before the excavation, naval divers were indoctrinated by ASI experts on the procedures and method to be followed during the investigation. These included aspects like documentation, controlled digging, and the retrieval, packaging and transportation of samples» Cheema said. «The idea was to achieve maximum extraction without damaging the environment,» he added. Before commencing diving operations, a specialised naval hydrographic team systematically surveyed the area off Dwarka with the help of multi-beam sonar and side-scan sonar. The navy had deployed its survey ship INS Nirdeshak for this in November 2006. «This enabled us generate a 3D model of the seabed so we could narrow down the area of search. We initially marked out a 200 metre by 200 metre area and eventually narrowed this down to 50x50 metre area,» Tripathi explained.

DWARKAThe submerged palace of Dwarka kingdom.Divers maping the Fort.



Artifacts found in the submerged city of Dwarka, amongst them a copper bell.Carbon dating shows that its about >35000 years old.

Ancient City Found in India, Irradiated from Atomic Blast

Radiation still so intense, the area is highly dangerous. A heavy layer of radioactive ash in Rajasthan, India, covers a three-square mile area, ten miles west of Jodhpur. Scientists are investigating the site, where a housing development was being built.
For some time it has been established that there is a very high rate of birth defects and cancer in the area under construction. The levels of radiation there have registered so high on investigators' gauges that the Indian government has now cordoned off the region. Scientists have unearthed an ancient city where evidence shows an atomic blast dating back thousands of years, from 8,000 to 12,000 years, destroyed most of the buildings and probably a half-million people. One researcher estimates that the nuclear bomb used was about the size of the ones dropped on Japan in 1945.

The ruins of Harappa

The Mahabharata clearly describes a catastrophic blast that rocked the continent.

"A single projectile charged with all the power in the Universe…An incandescent column of smoke and flame as bright as 10,000 suns, rose in all its splendor…it was an unknown weapon, an iron thunderbolt, a gigantic messenger of death which reduced to ashes an entire race.
"The corpses were so burned as to be unrecognizable. Their hair and nails fell out, pottery broke without any apparent cause, and the birds turned white.
"After a few hours, all foodstuffs were infected. To escape from this fire, the soldiers threw themselves into the river."

A Historian Comments

Historian Kisari Mohan Ganguli says that Indian sacred writings are full of such descriptions, which sound like an atomic blast as experienced in Hiroshima and Nagasaki. He says references mention fighting sky chariots and final weapons. An ancient battle is described in the Drona Parva, a section of the Mahabharata.

"The passage tells of combat where explosions of final weapons decimate entire armies, causing crowds of warriors with steeds and elephants and weapons to be carried away as if they were dry leaves of trees," says Ganguli.

"Instead of mushroom clouds, the writer describes a perpendicular explosion with its billowing smoke clouds as consecutive openings of giant parasols. There are comments about the contamination of food and people's hair falling out."

Archeological Investigation provides information

Archeologist Francis Taylor says that etchings in some nearby temples he has managed to translate suggest that they prayed to be spared from the great light that was coming to lay ruin to the city.

"It's so mid-boggling to imagine that some civilization had nuclear technology before we did. The radioactive ash adds credibility to the ancient Indian records that describe atomic warfare."

Construction has halted while the five member team conducts the investigation. The foreman of the project is Lee Hundley, who pioneered the investigation after the high level of radiation was discovered.
There is evidence that the Rama empire (now India) was devastated by nuclear war. The Indus valley is now the Thar desert, and the site of the radioactive ash found west of Jodhpur is around there.
Consider these verses from the ancient (6500 BC at the latest) Mahabharata:

Atomic explosion

…a single projectile
Charged with all the power of the Universe.
An incandescent column of smoke and flame
As bright as the thousand suns
Rose in all its splendour…
a perpendicular explosion
with its billowing smoke clouds…
…the cloud of smoke
rising after its first explosion
formed into expanding round circles
like the opening of giant parasols…
..it was an unknown weapon,
An iron thunderbolt,
A gigantic messenger of death,
Which reduced to ashes
The entire race of the Vrishnis and the Andhakas.
…The corpses were so burned
As to be unrecognisable.
The hair and nails fell out;
Pottery broke without apparent cause,
And the birds turned white.
After a few hours
All foodstuffs were infected…
…to escape from this fire
The soldiers threw themselves in streams
To wash themselves and their equipment.

Until the bombing of Hiroshima and Nagasaki, modern mankind could not imagine any weapon as horrible and devastating as those described in the ancient Indian texts. Yet they very accurately described the effects of an atomic explosion. Radioactive poisoning will make hair and nails fall out. Immersing oneself in water gives some respite, though it is not a cure.
When excavations of Harappa and Mohenjo-Daro reached the street level, they discovered skeletons scattered about the cities, many holding hands and sprawling in the streets as if some instant, horrible doom had taken place. People were just lying, unburied, in the streets of the city. And these skeletons are thousands of years old, even by traditional archaeological standards. What could cause such a thing? Why did the bodies not decay or get eaten by wild animals? Furthermore, there is no apparent cause of a physically violent death.
These skeletons are among the most radioactive ever found, on par with those at Hiroshima and Nagasaki. At one site, Soviet scholars found a skeleton which had a radioactive level 50 times greater than normal. Other cities have been found in northern India that show indications of explosions of great magnitude. One such city, found between the Ganges and the mountains of Rajmahal, seems to have been subjected to intense heat. Huge masses of walls and foundations of the ancient city are fused together, literally vitrified! And since there is no indication of a volcanic eruption at Mohenjo-Daro or at the other cities, the intense heat to melt clay vessels can only be explained by an atomic blast or some other unknown weapon. The cities were wiped out entirely.
While the skeletons have been carbon-dated to 2500 BC, we must keep in mind that carbon-dating involves measuring the amount of radiation left. When atomic explosions are involved, that makes then seem much younger.
Interestingly, Manhattan Project chief scientist Dr J. Robert Oppenheimer was known to be familiar with ancient Sanskrit literature. In an interview conducted after he watched the first atomic test, he quoted from the Bhagavad Gita:

"'Now I am become Death, the Destroyer of Worlds.' I suppose we all felt that way."

When asked in an interview at Rochester University seven years after the Alamogordo nuclear test whether that was the first atomic bomb ever to be detonated, his reply was,
Ancient cities whose brick and stonewalls have literally been vitrified, that is, fused together, can be found in India, Ireland, Scotland, France, Turkey and other places. There is no logical explanation for the vitrification of stone forts and cities, except from an atomic blast.

PROOF OF MAHABHARATHA :

For some time it has been established that there is a very high rate of birth defects and cancer in the area under construction. The le...vels of radiation there have registered so high on investigators' gauges that the Indian government has now cordoned off the region. Scientists have unearthed an ancient city where evidence shows an atomic blast dating back thousands of years, from 8,000 to 12,000 years, destroyed most of the buildings and probably a half-million people. One researcher estimates that the nuclear bomb used was about the size of the ones dropped on Japan in 1945.

A heavy layer of radioactive ash in Rajasthan, India, covers a three-square mile area, ten miles west of Jodhpur. Scientists are investigating the site, where a housing development was being built.

The Mahabharata clearly describes a catastrophic blast that rocked the continent.

"A single projectile charged with all the power in the Universe…An incandescent column of smoke and flame as bright as 10,000 suns, rose in all its splendor…it was an unknown weapon, an iron thunderbolt, a gigantic messenger of death which reduced to ashes an entire race.

"The corpses were so burned as to be unrecognizable. Their hair and nails fell out, pottery broke without any apparent cause, and the birds turned white.

"After a few hours, all foodstuffs were infected. To escape from this fire, the soldiers threw themselves into the river."

An ancient battle is described in the Drona Parva, a section of the Mahabharata.

"The passage tells of combat where explosions of final weapons decimate entire armies, causing crowds of warriors with steeds and elephants and weapons to be carried away as if they were dry leaves of trees,"

"Instead of mushroom clouds, the writer describes a perpendicular explosion with its billowing smoke clouds as consecutive openings of giant parasols. There are comments about the contamination of food and people's hair falling out."

source-veda.wikidot.com

The Secrets of Gravitation! in ancient india

The Secrets of Gravitation! in ancient india

The Indian Emperor Ashoka started a "Secret Society of the Nine Unknown Men": great Indian scientists who were supposed to catalogue the many sciences. Ashoka kept their work secret because he was afraid that the advanced science catalogued by these men, culled from ancient Indian sources, would be used for the evil purpose of war, which Ashoka was strongly against, having been converted to Buddhism after defeating a rival army in a bloody battle.

The "Nine Unknown Men" wrote a total of nine books, presumably one each. Book number was "The Secrets of Gravitation!" This book, known to historians, but not actually seen by them dealt chiefly with "gravity control." It is presumably still around somewhere, kept in a secret library in India, Tibet or elsewhere (perhaps even in North America somewhere). One can certainly understand Ashoka's reasoning for wanting to keep such knowledge a secret, assuming it exists. if the Nazis had such weapons at their disposal during World War Ii. Ashoka was also aware devastating wars using such advanced vehicles and other "futuristic weapons" that had destroyed the ancient Indian "Rama Empire" several thousand years before.

Only a few years ago, the Chinese discovered some Sanskrit documents in Lhasa, Tibet and sent them to the University of Chandrigarh to be translated. Dr. Ruth Reyna of the University said recently that the documents contain directions for building interstellar spaceships!
Dr. Ruth Reyna of the University said recently that the documents contain directions for building interstellar spaceships


Their method of propulsion, she said, was "anti-gravitational" and was based upon a system analogous to that of "laghima," the unknown power of the ego existing in man's physiological makeup, "a centrifugal force strong enough to counteract all gravitational pull." According to Hindu Yogis, it is this "laghima" which enables a person to levitate.

Dr. Reyna said that on board these machines, which were called "Astras" by the text, the ancient Indians could have sent a detachment of men onto any planet, according to the document, which is thought to be thousands of years old. The manuscripts were also said to reveal the secret of "antima"; "the cap of invisibility" and "garima"; "how to become as heavy as a mountain of lead."

Naturally, Indian scientists did not take the texts very seriously, but then became more positive about the value of them when the Chinese announced that they were including certain parts of the data for study in their space program! This was one of the first instances of a government admitting to be researching anti-gravity.

The manuscripts did not say definitely that interplanetary travel was ever made but did mention, of all things, a planned trip to the Moon, though it is not clear whether this trip was actually carried out. However, one of the great Indian epics, the Ramayana, does have a highly detailed story in it of a trip to the moon in a Vimana (or "Astra"), and in fact details a battle on the moon with an "Asvin" (or Atlantean" airship.


This is but a small bit of recent evidence of anti-gravity and aerospace technology used by Indians. To really understand the technology, we must go much further back in time.

The so-called "Rama Empire" of Northern India and Pakistan developed at least fifteen thousand years ago on the Indian sub-continent and was a nation of many large, sophisticated cities, many of which are still to be found in the deserts of Pakistan, northern, and western India. Rama existed, apparently, parallel to the Atlantean civilization in the mid-Atlantic Ocean, and was ruled by "enlightened Priest-Kings" who governed the cities, The seven greatest capital cities of Rama were known in classical Hindu texts as "The Seven Rishi Cities."

According to ancient Indian texts, the people had flying machines which were called "Vimanas." The ancient Indian epic describes a Vimana as a double-deck, circular aircraft with portholes and a dome, much as we would imagine a flying saucer.

It flew with the "speed of the wind" and gave forth a "melodious sound." There were at least four different types of Vimanas; some saucer shaped, others like long cylinders ("cigar shaped airships"). The ancient Indian texts on Vimanas are so numerous, it would take volumes to relate what they had to say. The ancient Indians, who manufactured these ships themselves, wrote entire flight manuals on the control of the various types of Vimanas, many of which are still in existence, and some have even been translated into English.

The Samara Sutradhara is a scientific treatise dealing with every possible angle of air travel in a Vimana. There are 230 stanzas dealing with the construction, take-off, cruising for thousand of miles, normal and forced landings, and even possible collisions with birds. In 1875, the Vaimanika Sastra, a fourth century B.C. text written by Bharadvajy the Wise, using even older texts as his source, was rediscovered in a temple in India. It dealt with the operation of Vimanas and included information on the steering, precautions for long flights, protection of the airships from storms and lightening and how to switch the drive to "solar energy" from a free energy source which sounds like "anti-gravity."

The Vaimanika Sastra (or Vymaanika-Shaastra) has eight chapters with diagrams, describing three types of aircraft, including apparatuses that could neither catch on fire nor break. It also mentions 31 essential parts of these vehicles and 16 materials from which they are constructed, which absorb light and heat; for which reason they were considered suitable for the construction of Vimanas. This document has been translated into English and is available by writing the publisher: VYMAANIDASHAASTRA AERONAUTICS by Maharishi Bharadwaaja, translated into English and edited, printed and published by Mr. G. R. Josyer, Mysore, India, 1979 (sorry, no street address). Mr. Josyer is the director of the International Academy of Sanskrit Investigation located in Mysore.

There seems to be no doubt that Vimanas were powered by some sort of "anti-gravity." Vimanas took off vertically, and were capable of hovering in the sky, like a modern helicopter or dirigible. Bharadvajy the Wise refers to no less than 70 authorities and 10 experts of air travel in antiquity. These sources are now lost.

Vimanas were kept in a Vimana Griha, a kind of hanger, and were sometimes said to be propelled by a yellowish-white liquid, and sometimes by some sort of mercury compound, though writers seem confused in this matter. It is most likely that the later writers on Vimanas, wrote as observers and from earlier texts, and were understandably confused on the principle of their propulsion. The "yellowish-white liquid" sounds suspiciously like gasoline, and perhaps Vimanas had a number of different propulsion sources, including combustion engines and even "pulse-jet" engines. It is interesting to note, that the Nazis developed the first practical pulse-jet engines for their V-8 rocket "buzz bombs." Hitler and the Nazi staff were exceptionally interested in ancient India and Tibet and sent expeditions to both these places yearly, starting in the 30's, in order to gather esoteric evidence that they did so, and perhaps it was from these people that the Nazis gained some of their scientific information!

According to the Dronaparva, part of the Mahabarata, and the Ramayana, one Vimana described was shaped like a sphere and born along at great speed on a mighty wind generated by mercury. It moved like a UFO, going up, down, backwards and forewards as the pilot desired. In another Indian source, the Samar, Vimanas were "iron machines, well-knit and smooth, with a charge of mercury that shot out of the back in the form of a roaring flame." Another work called the Samaranganasutradhara describes how the vehicles were constructed. It is possible that mercury did have something to do with the propulsion, or more possibly, with the guidance system. Curiously, Soviet scientists have discovered what they call "age-old instruments used in navigating cosmic vehicles" in caves in Turkestan and the Gobi Desert. The "devices" are hemispherical objects of glass or porcelain, ending in a cone with a drop of mercury inside.

It is evident that ancient Indians flew around in these vehicles, all over Asia, to Atlantis presumably; and even, apparently, to South America. Writing found at Mohenjodaro in Pakistan (presumed to be one of the "Seven Rishi Cities of the Rama Empire") and still undeciphered, has also been found in one other place in the world: Easter Island! Writing on Easter Island, called Rongo-Rongo writing, is also undeciphered, and is uncannily similar to the Mohenjodaro script. Was Easter Island an air base for the Rama Empire's Vimana route? (At the Mohenjo-Daro Vimana-drome, as the passenger walks down the concourse, he hears the sweet, melodic sound of the announcer over the loudspeaker,

"Rama Airways flight number seven for Bali, Easter Island, Nazca, and Atlantis is now ready for boarding. Passengers please proceed to gate number..") in Tibet, no small distance, and speaks of the "fiery chariot" thusly: "Bhima flew along in his car, resplendent as the sun and loud as thunder... The flying chariot shone like a flame in the night sky of summer ... it swept by like a comet... It was as if two suns were shining. Then the chariot rose up and all the heaven brightened."

In the Mahavira of Bhavabhuti, a Jain text of the eighth century culled from older texts and traditions, we read: "An aerial chariot, the Pushpaka, conveys many people to the capital of Ayodhya.

The sky is full of stupendous flying-machines, dark as night, but picked out by lights with a yellowish glare-"

The Vedas, ancient Hindu poems, thought to be the oldest of all the Indian texts, describe Vimanas of various shapes and sizes: the "ahnihotra-vimana" with two engines, the "elephant-vimana" with more engines, and other types named after the kingfisher, ibis and other animals.

LAW OF GRAVITATION WAS STOLEN BY WESTERN FROM INDIA AND NEVER CREDITED

The Sanskrit term for gravity is ‘Gurutvakarshan’ (गुरुत्वाकर्षण) which is an amalgam of Guru-tva-akarshan. Guru means big (also master), ‘tva’ comes from ‘tvam’ means ‘you’ and ‘Akarshan’ means to be attracted, thus the meaning of Gurutvakarshan is to attract by big (master). Even if we look further it explains that the bigger object have the high gravitational force which attracts the smaller object (which has low gravitational force).

 Now to the ancient scriptures:

“YadA suryamamun divi shukram jyotiradhArayah, maditte vishva bhuvanAni yemire"
[Rigveda 8:12:30]

It means ‘Oh Indra (all sustaining Lord) through establishing the all illuminating and powerful sun you maintain control over all cosmic bodies through mutual forces.’
This demonstrates that all the constellations are maintained and controlled by mutual energy.

Savita Yantraih Prithiveem Aramnaat Dyaam Andahat Atoorte Baddham Ashwam Iv Adhukshat
[Rig Veda 10.149.1]

It means “The sun has tied Earth and other planets through attraction and moves them around itself as if a trainer moves newly trained horses around itself holding their reins.”

The gravitational effect of solar system makes the earth stable also mentioned in Rig Veda 1-103-2, 1-115-4 and 5-81-2.

In Surya Siddhanta, dated 400-500 AD, the ancient Hindu astronomer Bhaskaracharya states-

“madhye samantandasya bhugolo vyomni tisthati
bibhranah paramam saktim brahmano dharanatmikam”
[Surya Sidhantha 12th chapter 32 sloka]

This means: “In the midst of universe (Brahmanda), the spherical earth stands firm in the space, because of the dharanatmika sakti, Earth is standing firm in the space without falling away.”


“akrsta saktisca mahi taya yat svastham guru svabhimukham svasaktya
akrsyate tatpatativa bhati same samantat kva patatviyam khe”
[Sidhanta Shiromani, Bhuvanakosa, 6th sloka]

This means: "Objects fall on the earth due to a force of attraction by the earth. Therefore, the earth, planets, constellations, moon, and sun are held in orbit due to this force."

Even before that the famous Indian mathematician Brahmagupta, in the 7th century had said about gravity that "Bodies fall towards the Earth as it is in the nature of the Earth to attract bodies, just as it is in the nature of water to flow". – Brahmasphuta Siddhanta.

About a hundred years before Brahmagupta, another astronomer, Varahamihira had claimed for the first time perhaps that there should be a force which might be keeping bodies stuck to the Earth, and also keeping heavenly bodies in their determined places. Thus the concept of the existence of some attractive force that governs the falling of objects to the Earth and their remaining stationary after having once fallen; as also determining the positions which heavenly bodies occupy, was recognized. It was also recognized that this force is attractive force.

Approximately 1200 years later (1687 AD) after Bhaskaracharya , Sir Isaac Newton rediscovered this phenomenon and called it the Law of Gravity.

Shocking Secrets Of The Vedic Science ? stolen by Western scientist. AND NO APPRECIATION ? HINDUISM IS SCIENCE NOT A HOCUS-POCUS RELIGION OF TODAYS TIME.

The Vedic civilization, according to the ancient scriptures, was at a much higher level of development than our modern society.
In Sanskrit “veda” means knowledge. So what kind of knowledge are we talking about?
From the standpoint of current evolutionary theory, the human race is supposed to be at the top of the society development. However, according to the Vedic literature, in a distant past there have been civilizations in the world, the greatness of which we cannot even imagine.
A detailed study of the Vedic texts was held in Bombay in 1975.
It was a scientific “explosion” in physicist circles when the scientists have discovered the vivid description of subatomic level in the Vedas written some five thousand years ago.
For example, it is stated in the Bhagavata Purana:

“The material manifestation’s ultimate particle, which is indivisible and not formed into a body, is called the atom – Param anuh. It exists always as an invisible identity, even after the dissolution of all forms. The material body is but a combination of such atoms, but it is misunderstood by the common man. ” (Bhagavata Purana 3.11.1)

In the same Bhagavata Purana the different time scales are explained, starting with the atomic. The theory of relativity and quantum physics can be substantially supplemented by information from the Sanskrit texts. Indians, Bhartiyas were well aware of such concepts as superconductivity, nuclear and plasma weapons not to mention electricity.

The Mahabharata, an ancient historical epic, describes the use of nuclear weapons as follows:
“It was as if all the nature’s forces have been suddenly unleashed. Something dazzling like the sun revolved in circles. Burned with a heat of this weapon, the world was staggering, as in a fever.
Elephants caught fire from the heat and rushed wildly hither and thither in search of protection from the terrible power. Water in the sea turned hot, the animals were dying, the foes were killed and trees were falling in rows under the fury of the forest fire. Elephants blew their trunks fiercely and fell dead on the ground. Horses and chariots were burned on the spot.
Thus, thousands of enemy chariots were destroyed, and then deep silence descended on the sea. Wind began to blow and the earth shined. It was a terrible sight. The corpses of the fallen were mutilated by terrible heat so that they no longer resembled people. Never before have we seen such a terrible weapon and did not hear about it. ” (Drona-parva)
The Vedic texts contain a large number of descriptions of different types of weapons, ranging from primitive stone throwing slings (sarvatobhadra), wall smashing mechanisms (udghatima), to all sorts of high velocity dart throwing devices (yantra-sara), and ending with weapons which damaging force does not have modern analogues.
The tenth canto of Bhagavata Purana describes the various battles with weapons of extraordinary power. Those battles were fought by our ancient ancestors inhabited the planet, as well as representatives from other worlds.
“… Then demon Bhaumasura immediately released the fire weapon, known as shatagnhi, by which he could kill hundreds of soldiers with one stroke.”
(Bhagavata purana 10.59.15)
There were weapons similar to raging nature’s forces.

“… He (Vasudeva) contaracted brahmastra with another brahmastra, and the air weapon – with the mountain weapon”.
So on one side they used the “vayavya-astra” weapon, causing severe hurricane on the battlefield, and in order to counteract it the opposite side immediately used the so-called ” mountain weapon ” which just like a mountain could block the air flow and eliminate it completely.
The weapon “shiva-jvara” is described as heat, which is twelve times more powerful than heat of the sun, and the weapon “narayana-jvara” represents the unbearable cold.

“By that time, almost all the warriors of Shalva were killed, but when he saw that Vasudeva has arrived on the battlefield, he set in motion a terrible weapon of extraordinary power, which flew with a roar in the sky like a giant meteor. It shone with a dazzling, illuminating the sky… “

It is obvious that our ancestors were much more highly developed than we are today. Comparing to them we look like babies, at least in technical terms.

“ It was not an easy task to enter into the city of Prajyotisha-pura, because it was very well fortified. First of all, there were four formidable forts guarding the four directions of the city, and it was well-protected on all sides by formidable military strength. The next boundary was a water canal all around the city, and in addition the whole city was surrounded with electric wires. The next fortification was of anila, a gaseous substance. After this, there was a network of barbed wiring constructed by a demon of the name Mura.” (Bhagavata Purana, 10 canto)

It appeared that the city was well-protected even in terms of today’s scientific advancement.
In Vedic literature there are many references to flying saucers. In general, they are called the vimana. Vimanas in the Vedas are divided into two categories:
1) the mechanical machines, similar to airplanes and flying with wings like a bird;
2) and very complex machines that can not be precisely classified, which had unlimited possibilities.
Machines of the first category are described mainly in medieval writings in Sanskrit, along with other various automatic devices and military machines.
For example, Bhoja describes an aircraft made of lightwood, which looked like a bird with two wings. The driving force of the apparatus was generated in the fire chamber with mercury, installed on it, as well as flapping wings of the machine.


The devices of the second category are described in ancient books, such as the Rig Veda, the Mahabharata, Ramayana and Puranas, and their description in many ways are similar to modern descriptions of UFOs. The main work in Sanskrit, which includes the classification of ships of all kinds, is called Vimanika-shastra. This work also reveals all sorts of technologies that are known today, such as telephone and television, though, working on an entirely different, unknown to today’s science principles.

Here’s how the vimanas are described in the Ramayana:
“The ship of Rakshasa king (type of demonic creatures) Ravana was amazing. Its walls were glittering, incrusted with diamonds, and the windows were skillfully decorated with gold. The ship could fly in any trajectory, regardless of wind direction, subject only to request of a pilot. He could stand still in the sky at any height, resembling a great shining mountain. The ship had a symmetrical design; the towers of the great artistic work were completed with domes, like mountain peaks. The viman could change its appearance through a variety of devices. After landing, it could camouflage itself as a mountain, lit up by the risen moon. Inside this beautiful spaceship resembled a palace with halls, rooms, swimming pools, etc.”
When we think of our ancestors, according to modern tradition, the image suggests a primitive ape-man with a hefty cudgel in his hands. However, the Vedic descriptions paint a different picture:

“I have heard that Visvavasu, the great Gandharva (type of celestial singers), his mind stupefied with infatuation, fell from his airplane after seeing your daughter playing with a ball on the roof of the palace – harmya-prishthe, for she was indeed beautiful with her tinkling ankle bells and her eyes moving to and fro.” (Bhagavata Purana 3.22.17)

It is understood that not only at the present moment but in those days also there were skyscrapers. Herein we find the word harmya-prishthe. The literal translation of the word “harmya” is “a very high palace.” Svad vimanat means “from his own airplane.” It is suggested that private airplanes existed several thousand years ago.

There are even descriptions of the whole flying cities, spreading for several square miles. For example, Hastinapura – a moving city, was well armed and protected against external enemies…
Mathematics, mechanics and related engineering discipline could be raised to a new level thanks to the Vedic scriptures.
In Sanskrit, a machine is called “yantra” which is explained in the Vedic literature as “a device that controls and directs the movement of objects in accordance with their characteristics.”
There are many types of yantras. A simple example might be a taila-yantra – the wheel, pushed by a bull in circles for oil pressing from seeds. Technical devices and machines of the ancient Aryans still amaze us with the level of their engineering skill. There are many plausible descriptions of robots, which were kept at the royal palaces, such as singing and dancing birds, resembling the living ones, clocks with moving figures, and various astronomical models, showing the motion of the planets.
There were robots designed in the form of male and female figures that performed various functions. They were made mostly of wood, but perfectly covered with humanlike skin. Their motions were provided by the system of bolts, iron rods, springs and grooves. These figures played musical instruments, served drinks to guests and did other similar services.
Yantrapurusha or man-machine could behave exactly like a real human. It is described in Bhagaya-vastu how an artist visited home of the yantracharya, or a teacher of mechanical engineering. There he was met by a robot-girl who washed his feet and had a resemblance of a real person until he realized that she was unable to speak. However, it is known that there were even speaking and absolutely fantastic sounding robots.
Are we able now, with all our modern science and computer technology, to repeat a similar level of inventive skill? Can we believe that the technical progress, as it is described in the Vedas, has really existed on Earth? Are Sanskrit texts the only proof of greatness of that ancient civilization?
In order to answer these questions, it would be sufficient to analyze briefly the most famous archaeological monuments of antiquity. For example, in Delhi there is a metal column, known worldwide as “a pillar of Indra.”

For
several millennia, it has resisted the influence of precipitation, with no trace of rust. The column is made of atomic iron, without admixture of carbon and sulfur at the molecular level. In our time, it is possible to reproduce such a perfectly pure iron only with the sputter coating technique in the outer space and only in small quantities. The height of “Indra’s pillar” corresponds to the three-storey house, in fact, the column goes under the earth for a few tens of meters. How did they do it, what mechanisms were used to produce this miracle?
In the Hari Bhakti Vilas, written by Sanatana Goswami, it is said:

“As bell metal (bronze) is turned into gold when mixed with mercury in an alchemical process, so in that very way, by the process of proper initiation by a bona fide spiritual master – diksa vidhanena, a person becomes a brahmana.”
(Hari Bhakti Vilasa 2.12)

The Vedas can give us tremendous knowledge, both material and spiritual. The greatest culture of people, who could turn a simple bronze into gold, is definitely able to revive our morally degraded society and add great deal of value to our lives.